Friday, 7 March 2025

Noreve Pixel Fold Cover

Noreve sent over a couple of cases/covers for a couple of Pixel phones I have here, the other being a Pixel 9 but I start with this one, for the original generation Pixel Fold. The whole folding phone concept is difficult for case-makers, I contend, particularly when they have a front-facing full screen (unlike, for example, the Microsoft Surface Duo range).

I have tried quite a few cases/covers for my Pixel Fold and none of them really satisfy fully - there's always something not quite right, not quite fitting, not quite tight enough (typically) to hold the device as it should be, but still strong enough to survive being pulled open without the case coming away in one's hand. The original Pixel Fold is a particular challenge in this respect because it's hinge is very firm, stays at any angle and so pulling it open is the real test of how well a case has been designed and put together.

But first, the leather! The classy, gorgeous leather. Noreve sent me one of their 'grippier' versions of the cover (at my request) and it is the Saffiano variant in black. It passes the leather 'smell test' with flying colours, adding to the premium look, feel and appearance compared to many a cheaper model from other manufacturers. There are oodles of different textures to choose from - and even more colours. Each case - or in this case, 'second skin' - is made-to-order and sent out, worldwide, from their base in France.

As you can see from the photos, each is sent out in a premium box and inside, a red drawstring pouch, adding to the unique attention to detail from Noreve. The component parts are protected inside by sheets of polystyrene so that there's no risk to them during shipping/transit. The whole experience does instill a feeling of confidence and that although these cases and covers are far from the cheapest available, they have a special something missing elsewhere.

Anyway, on to the fit and finish. You can hopefully see from the photos here that it has been very carefully designed and made so that there are 'lugs' along the inside of the front portion which ensure that the (particularly front part of the) cover doesn't come away when that stiff hinge is pulled against by the owner, opening things up. Around the edges, there are cutouts for the volume rocker and power button on one side, camera island on the back, speaker up-top, microphones, speaker and USB-C port at the bottom and of course, flush fitting the hinge surround.

There's really nothing to complain about here as everything works exactly as you'd expect, including the Qi wireless charging on a range of chargers that I have around the house/office. As I say, it's not the cheapest solution out there, prices range from 
€125-€250 depending on colour and finish, but I contend that it's worth every penny for such a remarkably classy and premium product - very often in life you get what you pay for. Noreve did send this over to me for review, but in no way dictated to me what I should say in my review and were quickly responsive when I had queries. Recommended. More discussion about this and loads of other mobile-related topics are on our weekly Phones Show Chat Podcast.

Sunday, 2 March 2025

A Ghost Story (2017)

David Lowery's 2017 film, is a haunting and deeply meditative exploration of grief, time, and the cyclical nature of existence. It’s a film that lingers long after the credits roll, its minimalist approach and deliberate pacing creating an atmosphere of profound melancholy.


Casey Affleck (Manchester by the Sea), under a simple white sheet with two black eyeholes, delivers a surprisingly expressive performance as "C," a recently deceased musician. His silent presence is both unsettling and poignant, a constant reminder of the lingering essence of a life abruptly ended. Rooney Mara (Carol, Nightmare Alley, Una), as "M," his grieving partner, conveys a raw vulnerability that anchors the film's emotional core.

Lowery (Peter Pan and Wendy, Pete's Dragon) masterfully utilises long, static takes, allowing the viewer to absorb the subtle shifts in emotion and the slow passage of time. The film's 4:3 aspect ratio further enhances this sense of intimacy and isolation, drawing the viewer into the confined space of the house, which becomes a character in itself. The house, a silent witness to both joy and sorrow, becomes a stage for C's spectral observation.

The narrative unfolds in a non-linear fashion, blurring the lines between past, present, and future. We witness M's initial devastation, her attempts to move on, and the subsequent occupation of the house by new residents. Through C's ghostly perspective, we see the echoes of lives lived and lost, the repetitive patterns of human experience.

One of the film's most memorable scenes involves M eating an entire pie, a moment of raw, unadulterated grief captured in a single, unbroken take. It's a testament to Mara's talent and Lowery's commitment to capturing the visceral reality of emotional pain.

The film is not horror (or even, ironically, a ghost story) in the conventional sense. It's a quiet, introspective journey into the heart of loss, a meditation on the ephemeral nature of existence. The film challenges viewers to confront their own mortality and consider the enduring power of memory and connection. While its deliberate pacing and abstract storytelling may not appeal to all audiences, those willing to surrender to its hypnotic rhythm will find themselves rewarded with a profoundly moving experience.

The film's strength lies in its ability to evoke a sense of melancholic beauty, reminding us that even in the face of oblivion, the echoes of our lives continue to resonate through time. Available at time of writing via some streaming services in the UK. Review by me, assisted by Gemini.

Saturday, 1 March 2025

PodHubUK Podcasts for the Month of February 2025

  ...a roundup of our month of podcasting. Links to the team, communities and podcast homes on the net at the foot, so scroll down!

Tech Addicts 2025
Season 1 Episode 5 - Seb's Place does Tech Addicts
Sunday 2nd February
Gareth and I are joined by Seb from Seb’s Place, a British YouTube channel covering 8-bit and 16-bit computers. Seb discusses his channel, his loves and hates in the retro tech, his collection and gaming in the modern world.

Phones Show Chat
Episode 839 - The Freepoc Downloader
Sunday 2nd February

Malcolm Bryant joins Steve and I again this week to talk in-depth about being a developer, the frustrations of dealing with Google and their Play Store - and the action he has taken to go his own way! We're tinkering with Launchers, prototype keyboards, Always on Displays and loads of other stuff as usual, so do join us for an hour as we Clamber for Amber!

Tech Addicts 2025
Season 1 Episode 6 - The Encryption Element
Sunday 9th February
Gareth and I chat about the UK Government compelling Apple to give access to their encryption, Meta torrenting ebooks, Coolermaster unleashing the Masterhub, Windows 98, AOL Desktop, film photography and my take on the Marshall Monitor III.

Phones Show Chat
Episode 840 - Shiny Folding New Lust!
Sunday 9th February

Steve and I are joined by Garry Clark of CoolSmartPhone fame this week. He gives us a rundown of all the interesting phones he's been reviewing and using, I'm still tinkering with Octopi, Steve's Droning on(!) about Microsoft's Universal Keyboard and Gemini devices and we have lots more topics as always.

Whatever Works
Episode 221 - Ninja Raspberry Vomit!
Monday 10th February

Aidan and I are here again with an hour of chaos, mayhem and tomfoolery as we natter about Whatever Works for us and you! We go Skyriding whilst firing paintballs at intruders, cool our beers (well, Aidan doesn't!), Dimplex, crevice-cleaning, strips for doors and pee - far too much to miss out on - so don't!

Projector Room
Episode 179 - Heretic Hijack Pussycat
Wednesday 12th February

Allan is back and joins Gareth and I once again as we get back on track with the usual stuff. We explore the Valleys of buxom Vixens, deal with A Complete Unknown Fancy Dance, track The Hitcher Out There and catch The Intruder in a Silo! Loads more of course including what's Coming Soon!

Tech Addicts 2025
Season 1 Episode 7 - Vibes of a Vinyl Revival
Sunday 16th February
Gareth and I are back with news of Vinyl records hitting the high street big time, the Retroid Flip 2, Gadhouse’s Cosmo Solar Edition portable turntable and a scam involving YouTube. Plenty more as always!

Phones Show Chat
Episode 841 - Passports, Plastic and Proud
Sunday 16th February

Ron K Jeffries from the USA joins Steve and I for the first time, so gives us the rundown on his phone/tech history, from Sidekick to Pixel and much between! We also get his thoughts on various topics in the phone world. I'm chatting Skyline and Noreve while Steve's talking camera buttons and upscaling old video amongst much more.

Tech Addicts 2025
Season 1 Episode 8 - Slopes Does Tech Addicts
Sunday 23rd February
Gareth and I chat to Daniel Ibbertson from Slopes Game Room about Kickstarter scams, Amstrad mascots, Streets of Rage, Evil dead, retro games, collections, emulation and much more.

Phones Show Chat
Episode 842 - The Three Year iPhone Upgrade That Wasn't Really
Sunday 23rd February

Steve and I are joined by Tom Stuart after a bit of a gap, so good to chat with him and find out what he's been using and to get his thoughts on various phone topics. Steve's onto the iPhone 16e launch, me, the Oppo Find N5, er, inavailability(!) and we're both trying out cases'n'covers, right on the Pulse! We even have time to venture into Windows Phone and Surface Go (not Duo, but Go)!

Projector Room
Episode 180 - The Damned Wolf Man
Wednesday 26th February

Gareth, Allan and I are back once more as we natter about all things film, cinema and TV. There's a Catch-22 Regarding Henry, some non-fizzy Prizzi's Honor, Dexter discovers Wolf Man, The Night Agent is always a Flight Risk and is it The Damned Who Saw Her Die? Lots of answers to questions like this, so do join us!


The Podcasts

Friday, 21 February 2025

Wolf Man (2025)

Here we have another shot at the whole Wolf Man thing, following in a tradition of other shots at it including The Wolfman (2010), right back to The Wolf Man (1941) and likely before! This one comes from 
writer/director Leigh Whannell with a recent track record of the excellent 2020 film with Elisabeth Ross, The Invisible Man. So high hopes.

We join the film 30 years before present day in the company of father (Grady) and son (Blake) on a hunting trip, deep in the woods of Oregon where they live in a wooden cabin. The have an encounter (which comes to nothing beyond some scares) with (what we now know to be) Wolf Man. Or at least, a Wolf Man! We see that father is treating son very strictly, teaching him, hard-nosed, skills he'll need to survive out here in the wild.

Skip to the present where we join Blake as an adult with wife Charlotte and their daughter, Ginger. They live in the city and we discover that Blake had lost touch with his father a long time back. Word was that he had been missing anyway, and now, via a letter he gets, confirmation that the authorities are assuming him dead. He and Charlotte are writers and appear to be going through a bit of dysfunction in their marriage, which they decide they can fix with a trip out to Oregon to collect his dad's belongings. Gulp!

As soon as they get there, they start to get stalked by what they think is some kind of animal which causes them to crash their truck then chases them as they hot-foot it for his dad's cabin. They make it inside but in the chaos, Blake gets bitten on the arm by this creature. It's probably not really anything of a spoiler to say that, like with An American Werewolf in London, we watch the transformation over time of nice chappie into beast. You'll all know what's what here!

So we now have a situation with dad transforming slowly inside the cabin, beast outside the house on the prowl and wife and daughter scared shitless in the mix! The beast is actually different from the one in An American Werewolf in London (and others) because it's not one who comes out every full moon or just at night - once transformed, that's what it is.

You can imagine that we then have a bunch of situations as the three of them (initially) try to escape (of course, there's no mobile phone signal) and find themselves in a whole load of different scenarios, scary setups and adventures(!) as the chase is on to stay alive (and watch dad go the way he's going)!

The cast do a decent enough job, Christopher Abbott (Poor Things) as Blake, Julia Garner (The Royal Hotel, The Assistant, Ozark, Apartment 7A) as Charlotte and Matilda Firth (Subservience) as Ginger. There's some neat ideas going on where camera position moves around in order to let the audience see/hear what the beast is seeing/hearing, then circles to do the same with the other characters, not impacted by the 'virus'. There are a few scenes of gory body-horror type stuff to enjoy, but not that many.

The set is within the shadowy woods, like a good fairy tale would be, eerie, dark, menacing with some decent-enough attempts at tension and suspense. Thankfully, silly jump-scare moments are at a minimum so the viewer can soak up the atmosphere and feel a bit of the terror experienced by, particularly, the two females. There's some lovely scenery on show - not sure if it's real or CGI, but it's very nice eye-candy.

It's all a bit of a chilling, thrill-ride really and clearly everyone was having a hoot riding, though there's not really much development on show regarding the characters - most of that is done, what we're getting, in the first 15 minutes of the one hour and forty-five. An excellent romp that entertained me, though not as good as The Invisible Man. It's available in cinemas in the UK or to rent/buy on a couple of streaming services so far, so use your vouchers!

Thursday, 13 February 2025

The Quiet Earth (1985)

This is a quirky little low-budget, 90-minute sci-fi drama out of New Zealand from 1985 in which Zac the scientist wakes up one day after having tried to commit suicide, to find that he appears to be the only animal on earth. And it's very much a film of two halves.

The initial concept is fascinating and thought-provoking as it engages the viewer in a mind game for themselves about how they would react given the same circumstances. We stay with Zac for a large part of the film, alone, as he tries to work out what's happened, how to make the most of the situation and how he might use his scientific knowledge to try to fix whatever has gone wrong.

Slowly but surely as Zac spends more and more time alone with the problem and the total freedom to do whatever he likes as the only animal on earth, he starts to lose his good mental health and descents into more and more bizarre behaviours, ultimately declaring himself god of Earth! What would we do? Would we be OK with that? Would we be resourceful enough to survive?

So it's interesting to see what he does and how he does it to survive the situation - it's a good job he's a scientist as he can turn his hand to many engineering tasks to keep things going, especially after the electricity runs out. This is by far the most interesting part of the film and it's a shame really that it didn't continue as it was for the whole story because, out of the blue, first one other person turns up, then another and it changes the tone of proceedings completely.

One of them is a man, the other a woman. The woman arrives first and she, too, was in a situation staring death in the face when 'the event' happened, so survived. Zac and Joanne bond readily and after a time end up 'being together', joining forces to try to find some way to help the earth out of its problem. Then along comes a bloke, who, similarly, survived because he was in a life/death situation when it happened.

The 'new' bloke (Api) then starts to challenge Zac for the attentions of Joanne and much of the emphasis turns to a kind of love/lust triangle as they work out their positions and male ego/testosterone comes to the fore, animal territorialism driving each to establish their position. And that kind of spoils things really. I think it might have worked much better if it just continued with a 'reflective' tone of man against isolation and loneliness. However, I'm not filmmaker!

Geoff Murphy is, directing, and alongside the late Bruno Lawrence who plays the lead, and couple of other writers, decide that this is the direction they wanted it to go. The three main players do a reasonable job, though Lawrence is certainly the more convincing and accomplished actor in the mix. Alison Routledge plays Joanne and Peter Smith, Api.

So we trundle along toward the finale, in which the sci-fi bit kicks in and there's something of an explanation as to what's gone on, wrong and we find out if Mr Boffin-Brain the scientist has been able to fix things - or the earth has been lost, as it was, for good. The final scene is somewhat thought-provoking in itself and to some degree worth wading through the second half of the film, by the time you have got half way anyway, to see.

Not a great film, but a really nice idea - which I think I would have preferred to have seen done a little differently. Anyway it's on one or two streaming services around just now if you fancy it.

Tuesday, 11 February 2025

Humane (2024)

Directed by the Canadian 
Caitlin Cronenberg in her first main film and based on an idea by writer/producer Michael Sparaga, this little low-budget thriller is quite good fun. It's a bit of a nutty idea, but certainly an interesting one!

The setup is a world where resources are running out, environmental collapse, population out of control - not enough to go round. So the governments of the world get together, close the borders and agree that they will have to cull their citizens by 20% each within a certain time. We're in America and there, people are offered $250,000 to be euthanised - the money then making their remaining family's lives better.

The family we spend pretty much all of the film with are wealthy and privileged, dad, step mum, four siblings (and a daughter of one of the siblings). They are successful people, in business, the media, arts and so on - all brought about by the family having money. One of the sons, it turns out, is adopted and has had drug problems.

Dad and step mum have decided that they are going to do the decent thing for the country, world and environment and signed up to the euthanasia scheme. We join the family as dad has organised a dinner party to tell them all the news and has lined up the mob (from the firm assigned by the government) to come round and do the job, that evening. Things go wrong when step mum disappears during the meal and the plan for two bodies from this family, this night, can't be cancelled. They need two bodies and it doesn't matter which, as long as they are from this family!

So you can imagine from hereon in what happens, with dad dead, step mum missing, as the four of them argue and fight tooth and nail to make sure that they are not the one to have to take step mum's place! The daughter is whisked away, incidentally, by the team, who don't deal with minors! The team are polite, well turned out, but ruthless in their goal if/when anyone steps out of line or tries not to comply with 'the law'. So that's about the backdrop of what's going on with the rest of the film depicting the fallout from their inter-negotiations and ensuing chaos.

Three of the four of them are decidedly unpleasant, with huge egos, money having carried all before them their whole lives, so we're encouraged to dislike all of them from the outset. There are some twists and turns along the way, but nothing you don't see coming, and it becomes a bit of a survival outing in the end, falling out, teaming up, testing the system and each other. All good fun with a bonkers idea, as I say.

The cast is mostly people I don't know very well, Jay Baruchel, Emily Hampshire (12 Monkeys, The Rig), Peter Gallagher (American Beauty, The O.C.), Enrico Colantoni (Contagion), Sebastian Chacon, Alanna Bale (Cardinal), Sirena Gulamgaus and Uni Park but they do a decent-enough job between them and keep the interest going. Thankfully there's very little handheld camera work, which there could have been - as they race around the big house full of staircases, corners, rooms and corridors. Pretty much all of the film is set in the house, so nicely claustrophobic - especially when the government team lock them in!

Some interesting ideas about/for the big wide world out there, turned into a nasty little thriller bringing out the worst in some rich folk with some gore thrown in here and there, but really not too much to worry about. I quite enjoyed it anyway. It's on Paramount+ as I speak and a couple of other streaming services in the UK.

Saturday, 8 February 2025

The Host (2006)

I was watching a YouTube video the other day which included Quentin Tarantino reeling off a list of films that, since he'd been directing, he wished he'd made! Then I realised that one of them, this one, was a film by Bong Joon-ho that I'd completely missed out on! 
I was a fan of the film version of his Snowpiercer, the wonderful Parasite, the inventive Okja, gripping Memories of Murder and the grizzly Mother too, so this was sure to be a winner.

And it was! A very different kind of film about a monster terrorising the public in Seoul, and in particular one family (as far as the viewer is concerned), but with multiple layers underneath the obvious which the director was making some social-political-environmental statements about - particularly with regards to the American authorities and how they were behaving irresponsibly in Korea.

The monster is a huge kind of fish thing, very imaginatively created, with a head/mouth a bit like Ridley Scott's Alien's, but it also kind of looks like female genitalia as well! It's been created by scientists dumping chemicals in the river. (Anyone seen The Simpsons episode with the 3-eyed fish after Mr Burns had done similar?) Anyway, in amongst much mayhem, killings, rampaging and chaos, the little girl in our family-in-focus is whisked away by the monster and dumped into a secure area of the sewer alongside a few other 'captures' - some dead, some alive, by the looks of it.

The first part of the film is quite comic really as we get to know the bumbling members of the endearing family, interaction with each other and quirks. And funny, they are. When the creature appears and takes the young girl off however, the comic stuff, to some degree, drops away to be replaced by a drama about a determined family in crisis. They creatively break every rule in order to get her back from the creature, battling the authorities along the way who are trying to lock down the public amidst the chaos.

There's lots of thrills, chases and edge-of-the-seat suspense as we're encouraged very much to get alongside the quirky family. They often provide us with heart warming moments as we root for them in their quest! The performances are excellent right across the board but a special mention for dad, played by Song Kang-ho (from the aforementioned Parasite, Snowpiercer and Memories of a Murder, but also A Taxi Driver which I enjoyed very much, too). More familiar faces for those who follow the work of Bong Joon-ho pop up as he clearly liked to be loyal to his regular actors. Byun Hee-Bong as the grandad, Bae Doona as the olympic archer sister (you can imagine) and particularly Ko Ah-sung (Snowpiercer, Life on Mars) as the little girl, who was terrific throughout.

It's a thought-provoking 'creature-feature'(!) which leaps between the terror of what the creature is capable of, moving poinginancy of the impact on a nuclear family in the mix, thrills and spills of the chase, the fight with the authorities, suspense in dark, wet and unwelcoming sewers around a threatening river, a jump-scare or two and a whole ton more to really enjoy. No wonder Tarantino was jealous and wished he'd made it. An entertaining thrill-ride it is with some messages baked-in. I'm not really doing it justice here with my brief thoughts, so do see it! It's available via some streaming services in the UK as I write.

Thursday, 6 February 2025

Blood Star (2024)

This first outing for 
director/writer Lawrence Jacomelli reminded me very much of Greg McLean's 2005 film Wolf Creek about a trio of backpackers heading off across Australia who bump into Mr Nasty who then terrorises them. This one's similar in tone, but is focused on a girl who is a petty criminal, heading across New Mexico's dirt and dust to get away from her abusive boyfriend.

We join the story in a flashback to a different girl who is covered in blood, staggering along a dirt road, being pursued by a man in a police car who stops when she falls to the ground, gives her a gun, offering her a 'last chance' before heading back to his car which he uses to forcefully put an end to her misery! Then we arrive at present-day and petty criminal girl Bobbie, who is driving her car long-distance. She keeps getting phone calls from her boyfriend and sister, but shrugs them off, wanting to be alone and left to escape her chaotic life.

She stops for petrol and whilst there, a cop (the same one as from the flashback) creeps around her, behaving suspiciously, flexing his power as a cop to make her respect him and, basically, acknowledge that she needs to not behave like the smart-arsed, over-confident independent girl she is, but toe the line - after all, he is a Sheriff, not 'officer'. He lets her go but pursues her devilishly, stopping her for speeding, then trumping up some ludicrous allegations and slapping a huge fine on her which he knows she can't pay.

This continues for a while. She starts to realise that this cop is actually a bit of a fruit-loop and tries to evade him. She ends up in roadside cafe where she gets a young waitress fired by her actions, then offers her a lift home in her car. The cop is still lurking around, behaving badly, and this is where things turn from nasty and suspicious into sinister, dark and outrageous - as the thriller shifts up a gear for the audience and down a lot of gears for poor Bobbie!

The cast, like the director/writer is somewhat inexperienced - TV work for some of them, the veteran, if there is one, being John Schwab (Tom Clancy's Jack Ryan, Zero Dark Thirty) as Sheriff Bilstein. Bobbie is played Britni Camacho and Amy, the waitress, by Sydney Brumfield. Camacho is the star of the show, in pretty much every scene, and pulls it off pretty well. Schwab turns from Mr Nasty to Mr Nice Guy to Mr Fruit-Loop somewhat convincingly and Brumfield, who isn't in it for long, does a fair job.

It's a fairly mindless road-movie/survival-thriller relying, like Wolf Creek, on the bonkers behaviour of a man around unsuspecting victims - but at least in the latter, there was some attempt at an explanation as to why what was going on, was so! Here, not so much - more simply a sadistic thrill-ride, if this is your thing! It runs for just over an hour and a half and there are a few scenes that are a bit gory, so beware, but not that many.

The setting might be more likely the star of the show with some creative close-focus cinematography. The landscape is barren, dry and hot - which has been shot nicely. There are a few plot holes, one big one at the end which I couldn't work out at all (nor find out about it online anywhere), but this is more about atmosphere, suspense and a growing anxiety as the audience gets alongside Bobbie - the only character really who is in any way developed throughout. I enjoyed it anyway and you can too as it's available via various streaming outlets if you fancy the genre.

Monday, 3 February 2025

Hold Your Breath (2018)

Otherwise known as A Breath Away, or Just A Breath Away - might be simplest to call it by its original French title, Dans la brume! I reported on my viewing of The Night Eats the World (2018) the other day and Dominique Rocher, who directed that, is credited with being a writer for this one. Confused already? Thankfully the film and story here is a tad simpler.

Whilst the former was a French Zombie film, Hold Your Breath shares some of its themes around the topic and tone of isolation. So another disaster movie set in Paris, but this time it's about a fog/mist/cloud which seeps up from under the ground following an earthquake. The mist rises towards near-rooftop level, so the trick is to get above it. If you don't, and you breath it in, you die. Unless you're a dog. Well, some breeds of dog. Apparently. Yes, there are some plot inconsistencies servicing some thrills later!

The family that the film focuses on comprises mum, dad and daughter who has an incurable disease (Stimberger Syndrome) and has to live in a techy-bubble to stay alive - which needs to be powered at all times. It feels as though the story is set a little in the future, but not a long way. Mum and dad are scientists, though it's never revealed in what field or capacity - for the purposes of the story, they're just brain-boxes!

Daughter Sarah's 'bubble' is located on the second floor where she lives with mum (dad seems to live across the way - we're not ever given any backstory on that either - whether they are separated or just choosing to live separately) but unfortunately, this is under the level of the mist. Fortunately, it doesn't matter as her bubble keeps the mist away from her. As long as she has power to keep it going. And therein lies the focus of the story, as the power goes out! There are batteries for backup, but not indefinitely - and they have to be regularly changed.

Mum and dad get together amidst the crisis and, as they can't stay on the second floor, head up to the top floor where a kindly old couple take them in and try to help them keep Sarah's bubble powered. They have a walkie-talkie link to Sarah from within a reasonable distance, so upstairs is fine. The characters don't know what's going on any more than the audience do - we're all kept in a similar bubble to Sarah's, in fact!

The thriller bit of the story unfolds as the parents have to dart across the city to get an air-tight suit for Sarah, in order to get her out of the bubble, building and city heading off to some relative's place on higher ground. Where, presumably, there's also another high-tech bubble for her to survive in once they get there! So mum and dad have to find oxygen, climb buildings, survive explosions, fall into the Seine, hold their breath when dashing between places when they have no oxygen, clamber over rooftops, deal with corrupt cops taking the law into their own hands, track down a lab where said suit is located - you get the idea. Most of it is a race against time and not getting trapped in the mist, so as to snuff it.

Having said all that, the film portrays the story at a fairly leisurely pace. There's no zombies lurking around as you might expect in this kind of film - just mostly dead bodies (staying dead!) and eerie, quiet, mist-filled streets full of wrecked cars and abandoned belongings. The eerie bit is done quite well, plenty of atmosphere, a bit of tension here and there in a nicely produced and presented story that almost ends up being a short 90-minute family drama rather than disaster flick.

I don't know any of the cast or crew, though I get the feeling I should know mum, played by Olga Kurylenko at least, as she was in a Bond film - Quantum of Solace. Romain Duris plays dad and Fantine Harduin, Sarah - who, surprisingly given the focus of the story, has the least screen-time and acting to do! In actual fact, the old couple upstairs are the most interesting characters played by Michel Robin (Amélie, A Very Long Engagement) and the late Anna Gaylor. They all do very well though and remain fairly convincing throughout.

It's a nice little film, short and sweet, which you can get engaged with as long as you're not looking too closely for the plot holes! A nice idea, fairly well done, which you can get on most streaming services now, including Roku and Tubi.

Saturday, 1 February 2025

PodHubUK Podcasts for the Month of January 2025

  ...a roundup of our month of podcasting. Links to the team, communities and podcast homes on the net at the foot, so scroll down!

Tech Addicts 2025
Season 1 Episode 1 - An Ayaneo Diffusion
Sunday 5th January
The wandering minstrels return to spoil your weekends again! Gareth and I launch into a 'seasonal' approach to podcasting - this, the first of the first batch of 10 for 2025. We go Walkie-talkies with Xiaomi, modulate our gaming gear, see Gemini Live live and float, ring the changes with Galaxy and Easily Diffuse our Linux experience! Loads more as usual, but a shorter runtime - let us know what you think of the new approach, shorter but more often! Available now in the usual places.

Phones Show Chat
Episode 835 - A Tale of Two...
Sunday 5th January

Jeremy Harpham joins Steve and I this week as we start off a fresh, New Year! We find out what he's been using, looking forward to, favouring - and get his take on our stuff too. Steve's awaiting the arrival of all sorts of new phones and accessories, whilst enjoying the retro stuff too, and I declare my Phone of 2024 whilst waiting for the Razer Phone to arrive, packed with LineageOS22! Time for plenty more as always, so do join us.

Tech Addicts 2025
Season 1 Episode 2 - Mecha Minds
Sunday 12th January
Gareth  and I are back again this week with a dip into all stuff Tech - mostly brought to us in and amongst CES 2025. Acer and Bosch, Mecha and LG, XBox and Legion - there's even space for outlying Oukitel and Brilliant Bargain Basement! Plus my first steps with Linux Mint Cinnamon and Gareth's Gaming Goodies! All available in the usual places now, so enjoy!

Phones Show Chat
Episode 836 - Triumph of the Midrange
Sunday 12th January

This week Steve and I welcome Ben Wood back again. We catch up on what’s going on at the Mobile Phone Museum, delve into the devices he’s been using, uncover his Phone of the Year for 2024 and get his take on all things tech. Loads more stuff, as always, including Nothing Phone (2a), Oppo, Honor, Lineage, Razer, ThinkPhone, Edge 50 Neo and that TCL 50 Pro NxtPaper again. Phew! Don’t miss it!

Projector Room
Episode 177 - Nosferatu's Milieu
Monday 13th January

Gareth and I are with you this time without Allan, as he's moving house - but we plough on regardless with a slightly different schedule and theme. We pick up on some 'specials' - Nosferatu, Black Christmas, Milieu, Short Films and our Picks of 2024 - good and bad! Plus Coming Soon and The Final Curtain. Hope you enjoy - let me know what the audio is like as it's the first time I've done the editing. Gulp!

Chewing Gum for the Ears
Episode 30 - Twenty Twenty Four
Steve and I sat down to share our thoughts on our picks of the albums released in 2024 today and the chat, with samples, is now available in the usual places, so do tune in if you have a spare 37 minutes!

Tech Addicts 2025
Season 1 Episode 3 - The TikTok Timebomb
Sunday 19th January
Gareth and I talk TikTok, Nintendo Switch 2, Brad Pitt, Canon's Webcam subscription, the Ion Boombox and, of course, Sex Toys! Bargains galore with a little banter mixed in. Do join us, now available in the usual places!

Phones Show Chat
Episode 837 - Ecosystem Twitchiness
Sunday 19th January

A Neo Duo! Steve and I welcome Ian Bundey back this week and find out what's been going on in his world of fast-paced-F1 and Gig mobile phone photography, amongst a load of other stuff of course. Me updating my Sony to Android 15 and it's Neo for the both of us - me with Moto and Steve DJI as he heads for the skies with a drone. Then it's feet back on the ground with the Nothing Phone 2a Plus and one last old Nokia (maybe the best). Do join us for an hour.

Whatever Works
Episode 220 - Ninja Raspberry Vomit!
Monday 20th January

Aidan and I are back to mould your Monday into something worth breathing in, so why not waste an hour with us as we Travel with John for a pee, Hammer it Smooth, expose the Simplicity of Selenium, Arc our Mechanical Nanu - and oodles more clap-trap like that! Available now in the usual places!

Tech Addicts 2025
Season 1 Episode 4 - The Galaxy of Terror
Sunday 26th January
Gareth and I debate Samsung’s recent Unpacked event showing off the Galaxy S25, S25 Plus, S25 Ultra and S25 Edge, AI baked into the software, where Samsung stops and Gemini starts with Photo, Gallery and Audio Enhancements. Some time left to linger in Linux and a bombardment of Bargain Basement beauties!

Phones Show Chat
Episode 838 - Launching Notification Reader
Sunday 26th January

That's Malcolm Bryant's app and he joins Steve Nutt on the show with Steve and I as we delve into it and get the developer lowdown on its testing and evolution. All interesting nerdy/geeky stuff which we know you love! We touch on the Samsung S25 announcements, some phone accessories and declare. The Four Nerds await you!

Projector Room
Episode 178 - Survive The Bride!
Wednesday 29th January

Allan is still missing this time so Gareth and I are Men Behaving Badly, makin' it up as we go along! We Survive Hell in the Pacific, take a Fresh look at Phoenix Nights, tackle Darkman Before Sunrise - and 28 Years Later, turn Bambi into an Alien! All good fun, so do join us!


The Podcasts

Deadgirl (2008)

This is an indie horror/thriller directed by Marcel Sarmiento and Gadi Harel. It's dark, involves body horror, is disturbing to watch (a...