Tuesday, 10 December 2019

Marriage Story

Marriage Story is going to be a bit of a Netflix Marmite film for many. There will be those who really don't want to spend a couple of hours watching a real-life conflict not only between two people who are really not sure if they want to be together and their son, but also lawyers on the battleground exhibiting their craft and others who will be able to, like me, focus on the fine performances.

Director Noah Baumbach (Frances Ha) created this film on the back of his real life experience amidst his divorce from Jennifer Jason Leigh. Before I knew that, it felt like the backdrop of actors, hollywood, theatre directors and luvvies-all-round was just getting in the way of a clean story of a similar ilk, such as the beautifully produced Kramer vs. Kramer. However, this soon pales into insignificance as the meat of the story centres around the nuclear family breaking down and how people deal with each other, careers and the legal profession.

Adam Driver (Girls, The Report) is the up-and-coming star of a generation. He's talented and can seemingly turn his ability to any role he wishes to embrace. The military's loss is cinema's gain. In this role he embraces the position of workaholic theatre director, good dad and laid-back Mr Nice Guy alongside the new situation in which he finds himself. Having to fight for his marriage, shared custody of his child and the legal profession all at the same time. He does this with naive empathy, lost in a sea of new experiences, not quite understanding how this can be happening. Scarlett Johansson (Vicky Cristina Barcelona, Scoop, Match Point) is equally convincing as the actress becoming famous and successful whilst keeping a lid on family responsibilities, dwindling love and being baffled by lawyers too.

The chemistry between the two is infectious. They, and the film, are engaging from the start. We jump in as there's a narration going on. First him, then her, talking about the good and bad aspects of each other and their marriage. We later find out that these are prepared lists created for the benefit of a marriage guidance process, but it's an excellent scene-setting technique as the audience quickly learns a huge amount about the family and their background. It is clear that they are deeply in love but that life is getting in the way, particularly their dedication to their careers, path dividing them as it trundles along.

There's one scene in the middle of the film where the pair try to sit down and talk with other but the attempt falls, sweeps between raw emotion, anger, frustration, bitterness, tears and transparent deep love. The scene is beautifully acted and is watched by all, eyes-wide! A super example of a scene within a film which almost doesn't need the context of the rest of the story. Check it out. The emotions expressed throughout the film are so convincingly expressed and performed that the viewer is sucked in, well and truly at every turn.

There's some comic moments in there too. At one point there's a woman appointented by the court to spend time with each of them in their normal habitat. Her performance is very funny as she doesn't quite know how to react to what's going on around her whilst Driver's character is trying far too hard to make it all look normal! There's Johansson's sister running around stressed as she's charged with the task of serving the divorce papers on him. She's played by Karen Duvall, who was excellent recently in the TV series Unbelievable. Then there's her mum, comically played by Julie Hagerty, who I still can't see outside of auto-pilot mode in Airplane! The family members are painted up as a real bunch of quirky people, as you can see. At this point, it really starts to feel like it's a Woody Allen comedy with all the usual hooks into funny New York characters and cast playing off against each other to great amusement with reflections of the absurdity of real life - often led by Allen favourite Wallace Shawn. There are also nods to Allen in terms of the shooting style as often we see cameras left shooting empty rooms whilst actors are out of them, not in shot.

The son (Azhy Robertson) looks very much like Doc in The Shining or, at a stretch even the kid in Kramer vs. Kramer. He plays his part very well. He's not just along for the ride but has some real dialogue and even at his young age has been chosen well with a budding ability to act. Then we come to the legal teams and actors again often plucked from Allen's casting book. Alan Alda plays an ageing family lawyer quite brilliantly. He's clearly had enough of hard-nosed legal wrangles and having tried to retire, really isn't up for the modern cut-throat world of Ally McBeals! It's great to see him again, thoughts of *M*A*S*H* of course! Laura Dern (Blue Velvet, Jurassic Park, Twin Peaks) pops up as one of the lawyers out to cut throats and embraces the role with gusto! Against her we have Ray Liotta (Hannibal, Goodfellas) in a smaller part, but one in which he exudes a similar gusto in each of his scenes! The pair of them up against each other in the near-informal courtroom is another scene-in-film to watch and enjoy more than once.

It's a film that, as I said at the outset, needs to be watched for the performances more than story, as they are, without exception, quite superb. The backdrop and sets, directorial style and production values are all very interesting and high. It's a film made for awards by Netflix and that's clearly where it is heading. If you really don't fancy the subject matter and think it looks like it is about couples bickering, then think again. You'll be delighted with, if nothing else, the exceptional two leads. Highly recommended.

Monday, 9 December 2019

Light Phone II - A Phone for Humans!

Tools, not Feeds they say at Light. This is a phone which pretty much does nothing of what we're used to doing these days with our pocket companions. They say that scrolling feeds is not good and that their basic tools are for getting things done. I wonder how many people reading this actually really want to disconnect with pretty much all of the network which they've built up around them. This really is not a phone review but the bones of a philosophical and social discussion.

Unlike KaiOS which is trying hard to integrate the likes of WhatsApp and FaceBook to a simple phone, LightOS says goodbye to social media, advertisements, news or email - like that's desirable in 2020. Maybe it is for some, but I hazard a guess that it's the very, very few who want to cut themselves off in this way. Designed to be used as little as possible, so humans can get back to interacting in the old-fashioned way. A phone that respects you! The price of your removal from the world? A staggering £265/$350! Available in Black or Light Grey.

The tools to which they refer are Telephone, SMS, a list of Contacts, an Alarm Clock, and maybe later Play Music, Voice Memos, Notes, Calendar, Weather app, Dictionary and some way to give the user Mapping Directions or call a Taxi (there is a GPS built-in). This was a crowd-source project and they really seem to have done well in terms of making it happen, both for the original Light Phone and now this second generation. I didn't ever see the first one, so I'm coming in cold to the second.

The thing that hits the user coming from a smartphone is that the device is tiny. It's got a 2.4" display with huge bezel-space around it - and the screen is black/white/gray e-ink. Think Kindle. The refresh-rate is as slow as an older generation Kindle's so every screen-tap means a wait before anything responds and that e-ink 'ghosting' remains when changing content. Screen-taps often don't register until the user realises that they have to press hard - this is no capacitive AMOLED! The screen-taps, apart from having lag, seem to want to be hit 'high' on the target. This is especially obvious when using the keyboard, which is very small indeed and only available in landscape. Not surprising really as in portrait it would be even smaller. Every time text input is needed, the screen auto-turns.

The phone is plastic and less than 4" in height, 2" across and about 1cm fat, taking into account the convex back - apparently done in order to pack in more battery over the flat original. It's 78g in weight and the whole package fits somewhere in the middle of my palm (see photo)! There's a earpiece speaker up the top where you'd expect, alongside a light sensor which enables auto-setting of the panel's light-up. Sadly, there's no USB-C here so we're back to microUSB for charging. They claim that the battery is good for 7 days on standby and 2 hours of talk-time. I am finding that those claims are about right as after using for about 3 days almost half of the charge is depleted. It's also IPX3 splash-resistant.

On the left is a NanoSIM Card Tray with the usual pokey-tool and a reasonably well made tray sliding in and out. The phone is capable of a 4G connection and it seems to do well with that. I have very successfully tethered other devices to it for a connection and it works beautifully. Quick to connect and maintains a good strong signal which is passes on to attached equipment. There's also a Hotspot option which I wasn't able to test but apparently works for up to 5 devices. Similarly, with making calls - the connection is strong, the person the other end can be heard well enough with the volume keys on the right adjusted to maximum and the person the other end hears the caller very clearly. The fact that the phone's microphone is well away from the mouth because of the size of the unit deters it not! (Though this is the same as many a bluetooth earpiece.) SMS works fine both ways, once you've been able to type it on the fiddly keyboard. There's no auto-correction to help, incidentally, so mistakes are rife.

Bluetooth 4.2 is present, though I'm not sure what it's for! Maybe it's for playing music, if and when the Music Player is added to the device - or perhaps there's a file-sharing facility coming too via a Manager. At the moment I can't seem to connect anything to the phone. There's also a 3.5mm audio-out socket up-top which again, will come in handy for listening to Music someday. There's no camera of course, as this would be too much of a distraction and make the user interact with the phone and world too much. The Alarm function works efficiently but the ring-tones for phone-calls and alarm are low in volume and buried in a pocket could easily be missed. In actual fact, without some sort of Music Player, it's hard to test the sound output.

On the top there's a 'wake' button which is also power on/off. Pressing that shows time, day, date, battery icon and percentage, wifi and cellular strength icons and a 'proceed' circle at the foot. Press this and you're launched into the Phone/SMS screen where you can select a dialing pad, SMS compose or Search for previously saved Contacts. Between the volume buttons on the right-side is a Menu button which takes the user to a Phone, Alarm or Settings.

In Settings, Phone takes you back to the main Phone screen mentioned above, alarm gives a numeric keypad to set a simple alarm and Settings launches a sub-menu including Airplane Mode toggle and Notifications which allows for Ringtone selection from a list of a few (all too quiet). Same for SMS and Alarm. There's also a privacy toggle to either show incoming messages on the Lock Screen or not. Moving onto Preferences allows for Time setting/display options, auto-capitalise on the Keyboard, a hearing-aid control option in Accessibility and another toggle for haptic-feedback when touching the screen - recommended to be left on to have some confirmation that your screen taps have worked as you wait during the delay! There's a simple numeric system passcode which can be set to get in and out of anything past the Lock Screen. Connectivity settings for WiFi, Bluetooth and Hotspot and options to open a Light Account, Reset the phone, check for LightOS Updates (which seem to come in almost daily) and so forth.

In order to do anything more at this stage, you need to head for the Light Website via a desktop browser and to the Light Dashboard. Here you sign in with your Light Account credentials and have access to a bunch of further much-easier-to-control and manage options. If the place where you hold your Contacts will let you Export them as a .vcf file (Google Contacts doesn't offer that) then they can be imported here and, as I understand it, when the phone is connected to WiFi will keep these in sync. It's not clear about how many the phone will hold or how many can be imported as I can't seem to execute this in any case. You can also also add Contacts manually but when I tried that, WiFi turned on, I waited and waited, and the one I added via the Dashboard didn't turn up on the phone. So, again, maybe features not yet finished. For me, an import from Google Contacts would make a huge difference, though clearly ongoingly, one would then need to keep doing that export/import to keep it up to date. Basic PIM functionality would make a big difference here. I get the no-social-media thing, but surely a properly syncing Calendar/Contacts/Email is a bare minimum, even for those dipping out from the world! Maybe significantly it talks to iCloud! Lastly, Device Info tells you all about the phone and records your IMEI number which could be handy if you lost it.

As I said at the outset, this is all about a philosophy and a becoming-trendy agenda to disconnect, or at least be able to choose to disconnect, from the deluge of media we're all bombarded with - and the evolved behaviour of humans to see the world through their phone-screens. To challenge people to ask themselves about how many human friends they have and how many virtual ones have replaced them. To question how humans now spend their time buried in technology instead of being out there paragliding, cycling or in the pub.

It's an ambitious project and an expensive one, to make this point. There's an option here for kids, I guess. Keep them off-grid from an early age, but still in touch. For my money, I think there's a much more desirable middle-road to be considered via the KaiOS option where a lot of the above is retained, but at least some of what we've got used to is also available. Maybe they're different philosophies at heart, but that's where my money would go - and quite a huge chunk less of it than this expensive luxury.

Many thanks to Lee Burnett for the loan for review.

Saturday, 7 December 2019

Projector Room 51

Projector Room
Episode 51 - The Long Irishman

@Gareth Myles and @Allan Gildea join me as we chat for an hour or so about what we've been watching during the last fortnight. We focus on The Irishman but have plenty to say about much else, too. Available via https://stevelitchfield.com/projector/index.html or your podcatcher of choice. Enjoy  @Steve Litchfield #podcast

Phones Show Chat 528

Phones Show Chat
Episode 528 - ABP: Another Brilliant Podcast!

This week @Steve Litchfield and I welcome long-time collaborator but first-time guest @Malcolm Bryant as he talks about his path through the early days of creating EPOC freeware and now bang up-to-date apps for Android. Available via https://stevelitchfield.com/sshow/chat.html or your podcatcher of choice. Don't miss it! 

Thursday, 28 November 2019

Gold Digger

This 6-part mystery/drama/thriller is currently running on BBC1 on Tuesday nights, but you can skip ahead and watch all 6 episodes if you're impatient, like me, via the BBC iPlayer. I won't give away any plot spoilers.

It's a decent enough little story lifted from the ordinary by the main two leads, Julia Ormond and Ben Barnes. Their performances are both well executed and remain convincing throughout.

Julia is 60 and Benjamin's half her age. They both keep their real first names. How quaint. She has 3 grown-up kids with various problems of their own and Julia has just undergone a divorce. Julia and Benjamin meet by chance and fall in love. Julia is wealthy. Her kids think he's a Gold Digger, so does her ex-husband, who is now together with a new woman. They work together to try to find out about Benjamin and ultimately try to hijack the relationship in order to 'protect' Julia instead of wishing her happiness.

And then all the sub-plots come along - as you might imagine, nothing is quite as it seems and everyone has something up their sleeve!

The series is really about loyalty and truth. Who is Julia going to be loyal to - her family, her feelings, her new lover? Who is Benjamin going to be loyal to? Is he telling the truth about his intentions and background? Or is he indeed a Gold Digger on the make?

It holds together pretty well, though episodes 4 and 5 slow things down before 6 ties things up. Probably could have been done in 4. It's thoughtfully produced and directed, well acted, give or take, by the cast and throws enough questions into the proceedings to ensure the viewer hangs on in there until the end.

It's great to see Julia Ormond again and if you haven't dipped into this one, I think you'll enjoy it dear reader! Unlike some other BBC programmes which have been doing the rounds lately, this one seems to be of better stock. Catch it while you can.


Steve Litchfield mentioned this little film almost exactly a year ago on Projector Room and I just saw it pop up on Film 4 the other day, so gave it a go.

It has to be the lowest budget film ever made! Hire a BMW and Tom Hardy, pay Olivia Colman, our Fleabag friend Andrew Scott and Ruth Wilson for voice-parts, get Hardy to drive down the motorway and film him in the car talking - almost in real-time! It really could easily be a radio production - or even just be broadcast as-is via radio.

Of course, the strength of this film is in the script, story and dialogue between Hardy's character and those various bods on the other end of his carphone. The world is closing in on him as he tries to do the right thing by a woman he has got pregnant at the potential cost to him of losing everything else in his life. The question is, will that happen - or will he smartly piece together the puzzle which he needs to shuffle and sort out to keep everyone happy and find solutions.

There's a big event happening at work the next day. He has to be there. There's this woman giving birth. He has to be there. There's his wife in meltdown at home and son expecting him home to watch football and eat hot dogs. He has to be there.

It's taut and claustrophobic and Hardy very well executes the range of emotions, anxieties and frustration that one might expect to see given the situation.

And that's about it really. Well executed and writer/director Stephen Knight keeps you watching 'til the end.

Wednesday, 27 November 2019

Samsung Galaxy S10 (512GB)

Here we go again! Acknowledging that Samsung phones seem to be the only Android devices out there that tick enough boxes! Speakers, speed, storage, AoD, Audio-Out Socket, good enough camera, close enough to Vanilla Android and more... I've been through S9 Plus, Note 9, Note 10, S10e, S8 and one-by-one they get ruled out - but maybe I'm getting to the core reason eventually... size!

The latest shot at finding the perfect phone for me brings me opportunistically to the Samsung Galaxy S10. It's smaller than the S9 Plus and Notes, bigger than the tiny S10e. Perhaps things may have worked out differently if I'd tried the S9 (non Plus) but I always feared the battery horror stories. The S10 is just about the right size in my hand, my pocket and big enough to type efficiently on the keyboard along with getting enough content on the screen to see sensibly.

Box Contents and Ticking
The 'proper' price for an official UK (Exynos) version of this phone with 512GB storage is £999, but shopping around, considering importing or used, buying the (some other regions incl. USA) SnapDragon variant of the device, the thrifty purchaser can bag it for anywhere between about £500 and upwards. Clearly the 128GB version is cheaper, but big storage was certainly one of the boxes I wanted to tick! So, I managed to find a SnapDragon 512GB version in black, second-hand from a trusted friend, imported from Hong Kong, looked after with cotton wool gloves similar to mine! In the box there's a power-plug and USB-A to USB-C cable, a USB-A to USB-C adapter and a plastic case. It looks like there were some earphones in here but, along with the SIM Card Tray pokey-tool they seem to have gone AWOL. Good job I don't need them - and if there were earphones, I'm sure I'd have hated them for being in-ear plugs!

The physical appraisal of the phone for me is about size, the Goldilocks Zone, just right. It's a little wider and taller than the Pixel 3 but not as fat, the 16:9 Nokia 8 Sirocco is a bit wider, less tall and not quite so fat - and against the Moto Z3 Play, it's about the same height, not so wide but a little fatter. It's 157g in weight which also makes it relatively light compared to the device set here. It feels good in the hand and easily passes the finger-thumb test around the waist - even with the case applied. This case is a hard, clear plastic one which is alright, but a little slippery. It's nicely minimalistic with proper cut-outs for all the ports and buttons, but doesn't offer huge protection. Much of the glass is exposed. As usual, I've applied a cheap TPU and it's much grippier and won't fall easily.

The S10 is a glass/aluminium sandwich with GG5 on the back, 6 on the front, both sweeping near-symmetrically to meet the frame. The curve on the edge of the glass is subtle, nothing like the Sirocco, and content on the screen is not in any way impaired. On the left we have the volume-rocker and Bixby button (which can now be assigned to pretty much any App you fancy for short-press) whilst quite high up for some on the right is a lonely power button. I rarely need it, so it hasn't bothered me. Up top there's a SIM Card Tray which offers 2 slots in this model (check regional variation) with the second doubling as a microSD Card cavity. Down at the bottom there's the usual USB-C port, 3.5mm audio-out socket and speaker. On the front we have the other speaker, various sensors and a punch-hole selfie, top-right. Lastly, on the back there's a Samsung logo with the camera-island placed centrally above it, 15% down from the top, housing the rest of the camera gear and heart rate sensor. It sits a tad proud, but cases make it flush. The phone is IP68-rated for dust/water resistant (up to 1.5m for 30 mins).

The front panel is a Dynamic AMOLED 6.1" 1440p one presented in a 19:9 ratio returning 550ppi and ready to make the most of HDR10+ content where it can be found. As you might expect, it's blazingly bright, enabling me to use it at about 25% indoors. When outside, there's no danger of not being able to see what you're doing on manual brightness or adaptive, swinging between c.400nits and 800. There's adjustments available for Vivid or Natural, a Cool/Warm slider and even White Balance RGB controls too - you can set this screen just how you want to see it. I've remained on Vivid (the default) and am happy with the level of saturation of bright colours - it doesn't feel OTT. There seems to be a factory-fitted plastic on the screen which, to be honest, I didn't notice on Day 1! Given my experience with the Note9 and micro-scratches on GG5 (not 6 as here), I'm inclined to leave it in place and see how I get on. I've tested the fingerprint scanner for rogue entries, just in case, and it doesn't let anything other than registered prints through.

The biometrics are up to the usual Samsung standards - face unlock works superbly well regardless of the fact that they've removed the Iris scanner, registers quickly even with full-face beard and never fails - there's even a slinky ring of light emitted around the selfie-cam when it's brought into play! Tested with photos and other people, it seems secure against intruders! The fingerprint scanner is ultrasonic and not optical and appears to work excellently well from various angles, various fingers, even when the screen is off - OK, not quite as fast as capacitive, but not far enough behind for it to be a pain - and I'd trade that, for being on the front aiding desk/table use. One thing to note is that as seems common these days, a swipe-up is needed to get into one's homepages after face-unlock has been executed. Seems a bit daft to me, but at least the fingerprint scanner gets me straight in.

The screen is impaired by the selfie-cam top-right of course. As usual, the human eye after a short time adapts and 'doesn't see it' unless looking for trouble! The bigger issue for me is that the battery icons et al are 'pushed' left, which takes more getting used to, making less room for notifications - hampered further by Google insistence that Notification bars are 'built for notches' still and all the 'middle' is wasted. This whole notch thing has been a disaster really!

Really Always On!
One of the fabulous aspects of the Samsung devices is the Always On Display, as we know. This one is exactly the same as the other devices in the family and works in just the same way. Loads of options, Edge Lighting for Notifications with even more choices, manual brightness adjustments and scrolling information from core apps which the user can choose per app on/off. This really should be baked into Android via the Mothership!

Q Pie
The phone arrived to me here with Android 9 Pie installed and November 2019 Google Security during the third week of November. Project Treble really seems to have done the job here and Samsung are better than ever before supporting their devices with prompt updates. Android 10 should be along any minute with the final stages of the Beta programme available as I type for those who jumped. In the meantime, with One UI software running in the background, I've found that the only feature I lust for is the left/right full-side Back gestures - but hang on - Samsung have provided this now for a while via their own installable One Hand Operation Plus app, which works perfectly in replication.

One UI
I have covered One UI time and again whilst reviewing other Samsung devices in the family, so I won't plough through it all again here - search my Blog for "One UI" and you'll find it all. It's the same here and has been thought out really very well. One UI 2.0 is in the pipes for the Android 10 rollout, I understand, so we'll see what that brings. It's almost tempting to use the Samsung Launcher, but I'm personally so at home with Nova Prime that I choose to use it. For one thing, I like my Google Feed page to the left which Nova's Companion App provides. (Warning - this needs side-loading, so be sure to flip Install Unknown Sources for Chrome off when finished.) If you stick with the Samsung Launcher you have the choice of the Bixby panel to the left of Home, or turn it off completely (once you've signed in to get to the settings), and Edge Panels to play with, regardless of chosen launcher. Anyway, as I say, lots of One UI coverage elsewhere here, including the deeper capabilities of the Bixby system for those who wish to dig around.

Bloat or Float?
This might be a question that Samsung have posed to themselves following huge uproar across the globe about how intrusive their bloated software experience feels to the new user - as here, it's really been very toned down. Even though I'm signed into my Samsung account, I have not got hardly any pop-up messages, reminders and plugs to install this, that and the other, use this, that or the other service and so on from previous experiences. A large amount of the Samsung Apps are only installed at setup if you specifically ask, otherwise sit, sensibly, in the Play Store. I have installed one or two, and that's how it should be. There are a few apps pre-installed, but I'll give them a pass on this as they have been selected to be generally enhancing the experience, like Always on and Edge stuff. Exceptions to this include the uninstallable Facebook, LinkedIn, all the Bixby support stuff (but as I say, it can now be largely hidden), Briefing (?), Link to Windows Service, Office Mobile, Dictionary and a few others. We could add to that list support for all sorts of other service-layer apps for the likes of Samsung Pay, Pass, Cloud, Store, Games, Gallery, Themes - and then the superfluous array of doubled-up and unnecessary apps which Google supply like Messenger, Calendar and Email. The point is though that they're more invisible than ever before because the system at last doesn't keep nagging the user to adopt them over the ones which s/he has chosen. This does seem like a significant strategy shift and welcome it is! I'm happy to ignore entries in the App list if I'm not nagged.

Chipset Choices
I have it on good authority that the SnapDragon 855 version of this phone brings better battery life, camera quality and headphone audio which I'll come to later, but for now, yes this is the USA version of the phone rather than the 'global' one. I also note that there's an FM Radio included, missing from the Exynos 9820 version. The speed of the engine is really noticeable when, for example, reading/writing data compared to lesser phones. I can remember waiting to copy my media to internal storage and microSD Cards for much, much longer than this. It races through every task thrown at it at lightning speed. There's 8GB RAM here which ensures again, rapid task-switching and few undesirable closures. Going back to apps used hours before, or even days, ensures immediate resumption. There are of course an array of 'care' tools to 'optimise' memory and RAM as usual in settings to tweak this experience.

Pocket Computer
The big one again for me here is that armed with my 512GB microSD Card, I have 1TB of storage available to me, and with all the media and files I want to carry inside my Pocket Computer it leaves me about 300GB free! I know I'm a niche case and self-confessed Data Hoarder, and I won't go over the pragmatic reasons for that again in relation to my living situation, but rather focus on the decades-long desire to really feel as though the device I have in my pocket really is a Pocket Computer, challenging in many ways, a desktop/laptop PC. Love it! The USB-C works perfectly with data OTG, passes my 2TB Extreme SSD test with flying colours as well as any size microSD Card I throw at it. When I want to watch my media on a bigger screen, armed with a USB-C to HDMI adapter, I can watch it on my telly! No WiFi needed. Good ol' fashioned cables! Well done Samsung. Furthermore, want to play with DeX? It's all present and correct, echoing onto a large screen on-demand. My Pocket Computer becomes a fully-fledged one with connectivity to keyboards, mice and proper productivity. Pass-through Qi charging? No problem - it just works, whilst mirroring or using DeX. This kind of solution has been tried many times by various systems, some half-bake it, some do some of it well, but Samsung just does it all - right!

Socks Blown Off!
I've been blown away by the sound coming from this phone through my usual reference headphones via the 3.5mm audio-out socket. It's quite stunning, quality, volume, bass, the lot. Apparently, as I said above, this sets the SnapDragon version of the phone apart from the Exynos one. The phone can cope with audio files with 32-bit sampling then downsample to push out the sound. Maybe not quite the height of what the LG phones can natively handle though, which have very high bit depth sampling. Hence 'Quad DAC'. There's also the matter of how much 'oomph' is in the amplifiers. This is strictly analogue. Akin to buying a 30W BT speaker rather than a 10W one! So the top-end LGs, for example, have dedicated high power amplifier stages, while the Samsung has an amp, but it's not as special. If you followed all that, you're more like a sound engineer than I'll ever be! Good job we have the likes of Steve Litchfield and Gavin Fabiani-Laymond to keep us straight! The long and short is that it sounds amazing to these ears.

System-Wide Dolby
Sitting above this, system-wide, is Dolby Atmos with basic controls, but controls which do make a difference. You can play with various settings when playing sound through the speakers, which I'll come to, but also even more when headphones are plugged in. Dolby Atmos ('tuned by AKG') offers a choice of Auto, Music, Film and Voice - and can be turned off if preferred. Siting below and usable in tandem are a few pre-set equaliser controls in the usual way, as well a custom setting and equaliser sliders for the user to set. A handful of ways to adjust the sound which is excellent to begin with anyway. There's a sound wizard you can run through which tests your hearing for an array of beeps and sounds in order to deliver the best experience. It's all very encouraging that such care and attention is given to sound in my view, neglected to this degree by most others.

Stereo Speakers
The Stereo speakers are similarly very good indeed. I would say that the sound produced is certainly better than the Note9, S9+ and Note 10 Plus (which I reviewed recently for Phones Show Chat) and on a par with the other market leaders just now (laying aside special cases such as Razer Phone). It's loud and produces good enough bass and mid-range for my kind of listening, capable of filling a small lounge-sized room, defying the physical size of the unit in many ways. The top earpiece speaker does push out less sound than the bottom-firing one but they somehow sound and feel balanced when placed centrally to the head. We've seen and heard this before on other phones of course, put down to the 'tuning' and clever software involved. This is no Bluetooth speaker with booming bass of course, but it ain't half bad and is oodles better than most phones I've tested. The stereo separation is extremely good even at slightly longer distances from the head. Tested with fancy YouTube Dolby Audio Surround tests, as long as the phone is close enough, there's a real sense of immersion. Nothing like with headphones of course which, again, blows one's socks off! Incidentally, unlike many other phones out there, Samsung switches the stereo between speakers regardless of which landscape way you turn it - ensuring that the left channel is always on the left and vice-versa.

Wireless Sound
Bluetooth 5 is on offer for those not wishing to use a cable and it supports aptX. The pairing process is one-tap quick and easy for peripheral devices and sound, though of course dependant on connected equipment quality, is equally amazingly clear and loud - with access to the same range of equaliser controls. All my testing has been done using the Samsung Music App but, as I say, these equaliser controls are system-wide so will work with all apps including YouTube. Hang on, there's more! On this SnapDragon version there's even the aforementioned FM Radio which works very well indeed, auto/manual scan, station memory/favourites, recording function. Once the aerial establishes connection via something plugged into the audio-out socket, you can then switch from headphones output to speaker. Reception is good in my test areas.

Talking of which, reception generally is excellent for phone calls, GPS for Mapping, Bluetooth range, WiFi, even NFC - tested here with Google Pay and hovering over terminals picks up with ease, quickly. Starts to feel like Samsung is the new Motorola when hardware components are so robust. Another connection, of sorts, are the Heart rate and blood oxygen Sensor on the back of the phone next to the cameras which is supposed to work in tandem with the Samsung Health App. Having downloaded and installed that, it all feels a bit like fluff - and interesting that all this has been removed from later models of the Samsung phones. I couldn't get the sensor to read my pulse successfully. It kept telling me that was finger was not placed correctly. It did at one point get to 80% and told me it was 63bpm but didn't finish - that was the closest I got! Good job I don't need it - or care! Samsung Health App uninstalled! All this wellbeing stuff is a bit lost on me to be honest - I'm sure some people make use of it, but it just feels like a gimmick. Maybe Samsung thought so too!

There's a 3,400mAh battery in the S10 here. Having got used to 4,000mAh units these days I was a little concerned. In my 10% reading test we currently have the Google Pixel 3 at the low end floundering on 50 minutes and the Xiaomi Mi A3 leading the pack at 2 hours 6 minutes. The S10 returned just about 1 hour 20 minutes. Far from the best, and worst, somewhere in the middle. On an average day's use for me (yardstick being my normal behaviour applied to all test devices with Adaptive Brightness and Adaptive Battery engaged) we're looking at somewhere in the region of 24 hours between charges and 6 hours Screen On Time. I did get nearer 30 hours one day but with only 4 hours SoT. As always your mileage will vary depending on what you're up to, but it's certainly not as bad as I'd feared - and we do have Qi charging in the wings. Top-ups as we go, desk, car, bedside. There's a 15W fast-charging brick in the box that'll get you a 50% charge from flat in half an hour - and with the right gear, it'll fast Qi charge too at 15W. Also present is the fancy Reverse wireless charging, so you can charge a friend's phone from the back of yours - and even pass that through, so cable up yours and place theirs on yours! Even more boxes ticked.

Snap, Snap...
I'm not going to even try to compete with the glut of in-depth reviews by the Pixel Peeping Brigade when it comes to the camera option on the S10, rather I'll tell you what I find and how I find using it and how the resulting shots look to me! Check out Steve Litchfield's coverage for loads of thoughts about taking photos with phones, including the S10/Note 10 range from Samsung. There are three cameras on the back alongside the heart rate scanner and LED flash. The user switches between the three via on-screen icons. The main camera is a 12MP Dual (not variable) f1.5-f2.4 (which switches based on available light) unit with OIS and a 'normal' field of view, another 12MP f2.4 which has 2x optical capability again with OIS and a 16MP f2.2 wide-angle camera with no OIS. And boy, is it wide! Distortion is the name of the game here, in bucketloads! There is a setting in which you can 'correct' distortions created by this extreme wide-angle though in practice here it seems to also 'narrow' the angle slightly in the process. On the good side, the shooter can do amazing jobs with room interiors and stimulate creative juices for all sorts of wacky stuff. There's no AF but in reality, everything will be in focus working with such wide optics. The 2x optical zoom, though not now market-leading in terms of 5x, still produces a useful extended range and in my testing here, pinch/splay to zoom up additionally to 10x (and anything between) produces very good and usable shots as well. It also has a trick up its sleeve in terms of close-focus. Place something close to the lens and it knows what you're up to and snaps into focus as close as it can then auto-adjusts as you creep closer. I've been able to fill the frame from a few inches away with 13mm across. The main camera produces photos beautifully for me and the rest of the 98% of users who don't have test-benches! Even those who do, seem to report excellent results too, also in low light, making use of dedicated modes and that dual aperture. The Selfie is a 10MP f1.9 unit and also has icons to switch between 'normal' and 'wide'. The results seem excellent to me again and the 'live focus' smartly tracks the face for Portraits and suitably auto-blurs background.

Camera UX
Common throughout the camera software, there's lots of AI going on, lots of decisions about what's needed taken out of the hands of the users if they choose, like that aperture control on the main camera and when Night Mode kicks in and so on. This will be the perfect arrangement of course for the 98% so it is clearly the way to go. There are manual overrides as well, however, some strangely buried deep in menus, some up-front and centre, some only accessible via a switch to Pro Mode. The 'viewfinder' in Pro Mode does its very best to emulate a 'proper' camera with adjustments possible for, amongst others, ISO, Aperture, Focus, Exposure Compensation and even a multi-dot focus grid, switchable to centre-weighted. All great fun to play with and for those taking photos from phones in any way as a serious competitor to 'proper' cameras, tools for creation. For everyone else, there's Scene Optimiser with various 'intelligent' features, Shot Suggestions (where the AI tries to work out what you're shooting and adjusts settings to get you the best shot) that re-ordering option which Samsung does, letting the user choose which 'main' modes appear on the 'main' shooting screen - and so on. Oodles and oodles of stuff to play with for the fiddler, great shots via AI for the rest. And that's where I'll leave it! For those who want more in-depth on the camera and results from pixel-peeping, just search YouTube - there's tons of it out there executed much more ably than my attempt would be, even if I had the extended interest! To me, for now, a phone in a camera is for taking shots from the hip, out and about and not much more. For more, you know what I'm going to say, buy a camera!

As you may have gathered by now, I'm hugely impressed. I'm mostly impressed over previous tries and fails with Samsung that they're actually leaving me alone! Much cleaner UX than ever before and allowing me to use the phone as I want to without nagging. It's just the right size for me, the AMOLED display is the best there is, the speakers approach being the best available on a phone, the build quality is equally reassuring and all the above attention to detail, functionality, facilities (which many others are removing) is, I think literally, second to none. It's a package which ticks so many boxes for me and it seems that at last, with Samsung not bloating things out and enabling the user to stick with Vanilla, I've found my niche. Especially with this 512GB version and microSD Card and all the connectivity options. Have we arrived? Truly a proper Pocket Computer? I would not pay £1000 for it but if you can find one at a reasonable price like I did, I'd highly recommend the Samsung Galaxy S10.

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