The story centres on Mark (Nate Wise), a man who defines 'shy and quiet'. A clumsy, awkward customer service agent by day, Mark spends his nights retreating into the digital safety of horror films and Mukbang videos. His stagnant life is violently interrupted when he is struck by a car in a convenience store car park, having just 'eyed-up' Ash inside.
It turns out that Ash (April Consalo) is the driver. A manic, free-spirited redhead who, at first (and second) glance, reminds me very much of a young Tori Amos! Mark is knocked unconscious, but rather than calling an ambulance, she takes him home to nurse him back to health. What follows is a whirlwind romance that feels surprisingly tender - until the fridge is opened!
Mark soon discovers that Ash is a minor internet celebrity who has taken the Mukbang trend to its most literal, lethal conclusion. She doesn’t just eat for the camera, she hunts! Positioning herself as a female kind of Dexter, Ash targets the scumbags of society - predators, abusers, and misogynists - transforming her energy into vigilantism. But unlike Dexter, she doesn’t stop at just the kill!
The chemistry between the two leads is worthy of note, as we see the story unfold from both of their perspectives, moral standpoints, and - in his case - initial shock and horror. We watch as she draws him in and they fall in love. He clearly wants to please her, even if he doesn't quite understand his own growing acceptance of her lifestyle. She shows him the life she has chosen and he slowly adopts it, both to be with her and to transform himself from a wimp into a confident person.
There is plenty of graphic violence on show as the kills progress, along with strong language, some nudity and one sex scene which finally bonds their connection and signals his total acceptance. Despite the gore, the film isn't really scary. It’s more of a dark comedy, often with the meat cleaver doing good service! There is a local subplot involving a serial killer on the loose - it isn’t Ash, but rather someone she would very much like to get onto her table, as Dex would say!
At 1 hour and 44 minutes long, the third quarter does drag a bit, mostly during the relationship and background segments where we discover their respective origins. However, there is one glaringly significant factor about Mark throughout the film which is explained, but certainly not made the most of as a feature or development point. Mark is also very close to his brother, which causes significant problems later in the story.
The cinematography and sets are very colourful, often feeling like a surreal 1960s Andy Warhol outing during the various dream sequences. April Consalo’s performance is great—very convincing and enjoyable to watch. She is a bright and confident actress. Nate Wise is not far behind, though his role doesn’t quite allow him the same scope and flair.
If you fancy some graphic violence and 'female rage' themes, this is a real treat. It reminded me not only of Dexter but also Fresh (2022) and May (2002). Aimee Kuge has done well with her debut, blending dark romantic comedy with blood, guts and gore. Great fun and highly recommended. It is now available on several streaming services here in the UK.
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