Tuesday, 1 March 2022

PodHub UK Podcasts for the Month of February 2022

...a roundup of our month of podcasting. Links to the team, communities and podcast homes on the net at the foot, so scroll down!


Phones Show Chat
Episode 679 - Music Museum Madness
Saturday 5th February
Steve and I are back again with an hour of musings on all things mobile/phone and this week Tim Evans returns with hot news and thoughts about the forthcoming Samsung models, comparison notes on all-things folding with Steve and I dip back into the world of Nokia!

Tech Addicts Podcast
Sunday 6th February
We're here again - it's Gareth and me unpacking all the interesting tech news on a Sunday again. Who needs a roast lunch when you have this pair of buffoons, unprepared as ever?! The Sammy event is coming on Wednesday, so we chat about that, gaming, connecting, powering and Koo'ing!

Whatever Works
Episode 155 - Xtreme Steam Dream!
Friday 4th February
Aidan Bell and I welcome Steve back this time as we find out Whatever Works in his life - and throw some stuff from you and us into the potpourri too! Plenty to get under your Skin, cable you up, put your stamp on the matter, turn a table and even belt up your audio!

Projector Room
Episode 106 - Reacher/Android
Wednesday 9th February
Gareth, Allan and I are back again for another fortnightly roundup of all things film, cinema and TV. This time we're heading for L.A., hitting monkeys and dragons, sitting on a Ledge and considering what's not the Mother of Android films!

Phones Show Chat
Episode 680 - 2015 was Inspiring
Saturday 12th February
Steve and I are joined this week again by Ben Wood of the Mobile Phone Museum to chat - this time more broadly about his thoughts on smartphones, tech news and what he's been using over the last few years personally.

Tech Addicts Podcast
Sunday 13th February
Sunday splurge time again as Gareth and I wade through what's caught our eye in tech in the last week, repeatedly unprepared! Yes, Sammy is our friend but we also have time for Mario, Ookla and Doughnuts from Sony. We also enter a Beetle drive with a garage-based Qi Charger and all brought to you from a pressing plant in Middlesbrough!

Phones Show Chat
Episode 681 - 60 going on 16
Thursday 17th February
Steve and I are here, early doors, to bring you a show again as we pave the way for the PSC Microsoft Fan Club and have no time for Eunice! Plenty of chatter as usual, all sorts of phone stuff.

Whatever Works
Episode 156 - Eunice and Dolly!
Friday 18th February
Aidan and I are back this fortnight with another look at Whatever Works for us and you! Plenty to natter about, from a Kluster of Kanrax and Blackrock Blu Tack to Little Explorers in Fingerless Gloves and still time to expel some wind! The wind that winds us up! Indulge and consume - it'll blow you away!

Tech Addicts Podcast
Sunday 20th February
It's weekend tech tinkering time again with Gareth and I bringing you this week's record-breaking show! Join us if you fancy a Moto hanging around your neck, know what GTC stands for, want to sample Trump's Truth or just dig hanging out with this Fast Pair!

Projector Room
Episode 107 - Encanto Mist
Wednesday 23rd February
Gareth, Allan and I are back again with another look at film, cinema and TV. Lots of goodies as usual from us and you including our trip to Tokyo, Disney delights, violent vampires and the inauguration of the Ana de Armas Fan Club!

Phones Show Chat
Episode 682 - A Trio of Duos
Saturday 26th February
If you're not interested in the Microsoft Surface Duo phones you might want to FF on this one! Steve and I welcome new guest Shane Craig of ScaryIfLiteral fame and we compare notes on the device. It's a flipping fold! A bit of time for other stuff too, but not much!

Tech Addicts Podcast
Sunday 27th February
Gareth and I back again this week with more terrific tech! This week we Reel off a Meta copycat, Prime you for a RealMe Book, save your screen and passwords, rotate your keyboard and even trip over a wire - remotely!

Monday, 14 February 2022

Let the Right One In (2008)

This is a little Swedish film (
Låt den rätte komma in) from 2008 which is a thriller/drama come vampire film. Now I usually shy away from any mention of vampires when selecting a film but when I started watching this I didn't know it was - and am pretty glad that I stayed on the bus!

It's set in Stockholm in the middle of an inner-city/town housing complex in 1982. Our central character is a 12 year old boy who's dad has left home and living with his mum he's a bit of a social outcast with everyone he knows including people at his school, some of whom pick on and bully him.

A man and 12 year old girl move in next door to him and we're first introduced to the new people as we see him stringing up a man in the park and draining his blood. He's caught in the act and scarpers but this sets the scene for the town to be wary of some fruit-loop on the loose doing strange things to people and killing them.

Why does he want the blood is the question - and it turns out that yes, the girl doesn't eat but lives on the stuff. Who he is and why he's serving her needs, we don't really know. Anyway, back to the 12 year olds and we see a cutesy relationship growing between them as she tries to help the boy fight back at the bullies - and they develop a bond. Eventually the secret comes out and the boy has to face the truth of what he's dealing with, empowered by her as he may have been. There are a few scenes which follow demonstrating more grizzly murders, blood-sucking stuff and some other quirky behaviour - such as she having to be invited into a room - and what happens to her if she goes in uninvited!

At one point she accidentally makes herself another vampire by only partially draining a woman and getting interrupted. We're then shown the impact of that (and what the woman does to resolve her position too). By this time in a film with this kind of storyline, I tend to be laughing along as it's all so absurd but this is presented in such a mixed-focus kind of way that it presents itself as a love story intertwined with a revenge yarn - with vampires on the side.

The two kids act their parts terrifically well and the whole set puts me in mind of something from a Polish set from Kieślowski's DekalogAs we reach the finale there's some surprises to consume for the audience, resolves for the other threads of the storyline and a view of what might be likely going forward for the pair of these kids. There really aren't any silly jump-scare moments, which is probably another reason I really enjoyed this film, which I did.

The director is actually Tinker Tailor Soldier Spy man Tomas Alfredson who does a great job creating that atmosphere, making use of super camera angles, lighting and general photography in this bleak and dour snow-covered locality. I don't know any of the actors, the two leads seeming to have had pretty short careers and dropped off the radar at a fairly early age.

It's a super atmospheric but intelligent thriller without a lot of the usual clap-trap from the genre. It might be another one of those find-a-DVD outings though as attempts to find it otherwise seem a bit tricky. I did see that it was £1.79 on AmazonUK however!

Friday, 11 February 2022

Dark Blue Girl (2017)

It's funny how we often stumble into films because we follow an actor having admired them in other work. Same is true here as I much admired 
Helena Zengel's performance recently playing against Tom Hanks in News of the World. She was excellent in that and looked to me like she was a talent waiting to spring.

So yes, that's how I uncovered this German indie family drama come indie psycho thriller originally titled Die Tochter. She was (even) younger here and this directorial feature debut by German Mascha Schilinski has some dark and menacing undertones which are alluded to, suggested and teased but fall short of exploding onto the screen. But in lieu, there's so much to admire and consume.

The basic story is about a couple who split up two years before our film starts when their daughter was 5, so she's now 7. Mum and dad are living separately and the girl, Luca, lives with mum and sees dad frequently. Mum is seeing other men but nothing is working out and she is short of cash, with the suggestion of her being an actor trying to find work. Dad comes over frequently and Luca loves him dearly, the start of the audience beginning to wonder if there's something odd about the father-daughter relationship. When he's around she plays up to him somewhat inappropriately and generates situations where she can cuddle up to him in bed as she drops off to sleep, for example, instead of mum.

Anyway, the parents decide to sell their holiday home in Greece to make ends meet and the three of them set off there to clean, tidy and show to a potential buyer. When they get there, mum and dad start to fall for each other again and eventually start creeping around the house to bed each other - and not let Luca see. She does though. And she's not happy. She then does everything she can think of to drive wedges between this rekindled relationship, going to quite some lengths. She has sight of losing her central role in the lives of both of them.

There's slightly too much underwear/swimwear footage of the kid for comfort and I'm interpreting that as being a framework for the suggested psychology behind the father-daughter thing and (at one point) rejection of mother. The picture is painted around daddy's girl and less-than-perfect physical appearance of mum. At one point, mum looks at her own nude body in the mirror, clearly unhappy. There's also a disturbing scene as the three of them share a bed and mum and dad are all-but naked french-kissing with Luca alongside.

It goes from odd to spooky really as we follow Luca in the central role and see the story from her eyes, often. There's also flashbacks to the disturbing scenes from two years previous when they told Luca about the split, which she dreams about still (and was also on this island), where the beach, rocks and cliffs are presented in eerie tones with supporting music. Incidentally, I thought the music and soundtrack was great - apparently a (relatively) unknown German outfit called AnnAgemina. I thought it was Bjork during watching!

The cinematography has been excellently thought out and there are great visuals throughout including selective use of close-focus and de-focus, with long lingering shots of unhappy, conniving, scheming Luca's face. To add to the spook, Luca also creates this kind of bubble (imagines) around dad (to protect him from harm, it seems) especially after he has a funny turn one day and they talk about heart attacks. In fact, throughout the film there's cuts to a beating heart in a body which could be interpreted as his, or maybe a reflection on her birth and the history of all their relationships. Later on birth is referenced via footage of a pregnant cat giving birth outside their house. As you can see, it's a bit arty-farty and confused here and there.

It's a question, at the end of the show, of how successful Luca is in keeping/getting them apart - or whether they pull together as a family to get past it. It's pretty much a three-actor show and they all do their jobs admirably well and convincingly oddly. And that's what the film is really. Just odd. With some very uncomfortable undertones but also a forward drive that makes for compelling viewing. It's that European cinema thing again which is so good at taking what, on the face of it, could be an ordinary tale - and turning it into an extraordinary, entertaining feast to consume.

I would recommend it very much for Helena Zengel's performance if nothing else. That's the second time now that I've been very impressed with her child-talent acting and I think we'll see more films with her popping up soon. You might find it hard to get, however. It is on some streaming services but you might not get subtitles. Or you can scour Amazon Germany for a DVD etc. I enjoyed it very much, but it is a bit odd and disturbing.

Tuesday, 1 February 2022

My Son (2021)

This little Brit thriller is apparently a remake of the French film 
Mon Garçon which the director of this one, Christian Carion, was involved with as well, back in 2017. I haven't seen that but I'm hoping the original wasn't so full of plot-holes as this!

A boy goes missing from a camp-site in the Scottish Highlands. We join the action after all that's already happened and the police are on the scene. Mother calls in the boy's father (who she's no longer involved with) who leaps to action in order to try and save the day. There's a side issue going on with the wet lettuce new boyfriend of hers, which our hero doesn't take kindly to and at one point confronts him, rather out of control!

Anyway, he gets arrested for his dastardly deeds but wet lettuce doesn't press charges so our man is out and about again on the trail of his missing son. James McAvoy (Shameless, Victor Frankenstein) plays the father, presumably as told, making him a man willing to take the law into his own hands to do what's right. Especially when the police are told from the powers in London to back off the whole case. The first hole, that was never explained.

McAvoy does a decent enough job with the material (in a Liam Neeson type way) alongside mum played by Claire Foy (The Electrical Life of Louis Wain, The Crown) who equally does what's asked of her - well, by the filmmakers, if not her ex-husband! Another gaping hole in the plot is what he does for a living (he says he works in oil) and the relationship between a kidnapping of one of his staff abroad and this story?! And why kids are being kidnapped? Never explained - not even in a 101 Dalmatians kind of way! But never mind - on with the thriller!

And it does turn out to be quite a good edge-of-the-seat thriller as we come towards the finale and what reveals there are, are revealed! The winner here is probably the Scottish countryside and earthy feeling of rural muck, rain and isolation. The scenery is lovely. Ignore the miniscule involvement of the local police and get stuck in with our dynamic duo as they fight the baddies!

I'll leave it there, I think, so that the ending is not spoiled for you, should you want to watch it. It won't take you long at only an hour and a half and you can catch it on Amazon Prime Video at time of reporting, along with other streaming services. It'll win few awards, but it's a tidy little thriller.

PodHubUK Podcasts for the Month of January 2022

...a roundup of our month of podcasting. Links to the team, communities and podcast homes on the net at the foot, so scroll down!

Phones Show Chat
Saturday 1st January
Steve and I bring you our New Year's Day offering in the form of a podcast featuring Jeremy Harpham! We natter for an hour about all things mobile phone of course looking back at 2021 and predicting what's to come next! Happy New Year!

Tech Addicts Podcast
Sunday 2nd January
We're back! After a seasonal break Gareth and I are back just in time to bid farewell to the DSLR, 2TB microSD and Museletters, and welcome the Amiga A500 Mini! We talk TikTok, sensible new hardware, daft new hardware and in Gareth's case, daft old hardware! Loads of stuff, so get stuck in!

Whatever Works
Episode 153 - Skydiving Fish Detritus!
Friday 7th January
Aidan and I are here once again to Badger you for hour with another deluge of drivel - as we consider Whatever Works for us and you! Oodles of oddities including organisers, trainers, old Microwaves, word games and neck fans!

Phones Show Chat
Saturday 8th January
Yes indeed, something different and more interesting than the normal phones out there. Steve and I have a great chat with Marek Pawlowski about that very thing - and come up with some options. We also announce the Photo of the Month and look forward to Photo of the Year!

Tech Addicts Podcast
Sunday 9th January
It's Sunday again, which means Gareth and I are back with more tinctures of tech - including much that caught our eye in Las Vegas. (Not that we were there!) Loads of stuff from all the big players including TCL, Samsung, Acer, Asus, Razer...the list goes on! Highlights galore and we pick up on some of the week's other news too.

Projector Room
Episode 104 - Silent Afterlife
Wednesday 12th January
Gareth, Allan and I are back again this fortnight with a delve into what we, and you, have been consuming in film, cinema and TV. Loads of goodies as usual including Parisian Treats, a trip to the moon and New Blood from old ideas - all from the 3 Idiots!

Phones Show Chat
Saturday 15th January
Steve and I are back this weekend with guest Juan Carlos Bagnell tagging along for a natter for an hour about all sorts of hot phone-related topics. Plus all the usual features of course, including the winner of Photo of the Year for 2021

Tech Addicts Podcast
Sunday 16th January
Another deluge of dung this weekend now available via the link here or your podcatcher! Join Gareth and I as we murder Moto, ridicule Realme, mush Meta, Zoom into Stream Deck and go Monster Blasting!

Phones Show Chat
Saturday 22nd January
Steve and I back again this weekend with a catch-up on all sorts of stuff, including my first look at the Pixel 6 Pro and Fairphone 4 with Steve pushing the Duo 2 further. We both take a swipe at RCS and much more.

Tech Addicts Podcast
Sunday 23rd January
Gareth and I discuss the sighting of the S8 Ultra on Amazon, Microsoft purchasing Activision Blizzard, new Chromebooks, Dimensity 10000 and more in our weekly tinker with tech.

Whatever Works
Episode 154 - The Clock Watch!
Sunday 23rd January
Aidan and I are here again to consider once more Whatever Works for you and us! Loads of goodies as usual, from Karaoke to Kronaby, bread to eggs, hooks to threaders and Samson to stands. All here in amongst the usual plethora of chaos, fun and jingles!

Projector Room
Episode 105 - Star Wars Below
Wednesday 26th January
Gareth, Allan and I are here again with our regular fortnightly roundup of what we, and you, have been watching in film, cinema and TV. Plenty to talk about as usual - we head for Mumbai in Themed Treats, consider The War Below in Private Screening and leap from Chinatown to Brooklyn as we don Antlers for some big scares!

Phones Show Chat
Episode 678 - Stunning Redmis
Saturday 29th January
Steve and I return this weekend to natter about all things phone as we welcome back Mike Warner. We find out what he's been using, his disaster, his solution and what's en route! Plus all the other usual stuff, news, foul-ups and fixes!

Tech Addicts Podcast
Sunday 30th January
Gareth and I are back with another couple of hours of tech twaddle as we hover over the headlines and précis our picks. We Bond with flying cars, Pedal Streaming and Steaming, meander through Magic and clamber through Chrome. We even have time to rifle back through painful experiences!

Sunday, 30 January 2022

Katie Says Goodbye (2016)

This little film is the story of Katie who lives in a dusty town in the outbacks of arid America who tries really hard to generate hope against the odds. It's written and directed by the pretty much unknown Wayne Roberts, who went on to make The Professor with Johnny Depp leading in 2018.

Katie has lived her whole life in the town alongside her broken-spirited mother as they make ends meet between them renting a shack from a local man, who seems to be willing to take payment however he can get it. Katie is 17 and working hard in a diner to earn money to keep her and her mother afloat, but it's not enough.

It's clear that her mother is abusing the good-natured Katie on all sorts of levels, in order to fuel her drinking lifestyle and entertaining men when she feels like it. Katie is strangely green in amongst all this, not the hardened, life-battered soul that we'd expect to see. She's pragmatic and knows how to earn money, doing sexual favours for people she can generally trust not to abuse her.

She has a few 'regulars' including Bear (played by James Belushi) who she can rely on to treat her well and provide a reasonable flow of income. Bear acts more like a father to her in many ways, which is a bit of an odd meander from the path. Anyway, along comes Bruno, played by Christopher Abbott of 'Girls' fame, fresh from prison, who is quiet but demonstrates caring towards Katie, which she warms to and is keen to establish him as her boyfriend. Her less-than-wholesome activities come out and Bruno is not best-pleased, so she promises to stop. In amongst all this, her mother has spent the rent on booze and the landlord is pressing the pair of them to settle up or else!

Olivia Cooke plays the sweet, almost naive Katie brilliantly well. The viewer gets onside with her, warms to her and sympathises with her - regardless of what she's doing to make money. She dreams of heading for San Francisco to train to be a hairdresser and is saving money for that too, justifying her means to herself as a dream for the future. She does want to get away from this small town but it gets complicated with Bruno's arrival and more so when some local yobs start to abuse her and she's wrongly accused of theft at work.

The drama rolls out with peaks and troughs, slow patches and more gripping phases, but through all this is (poor little) Katie in the middle, trying really hard to make something of herself. Trying to look after her mum, to save for a better future, to be kind-hearted (which she is) to those around her - and to some degree keep her head down in lieu of what's to come. Should she settle for what she has, work hard and expect little - or is it alright for her to have dreams, she wonders.

It's a film of hope through her eyes, of sadness in parts, of abuse and the human spirit rising up against the odds. It's a bit of a one-person show as Cooke is in pretty much every scene but the cast around her play their parts convincingly too. The audience can imagine what it must be like in one of these small outback towns in many places in the world for people trying to work out their place in society and their forward path.

It's a nice little drama with messages aplenty about all sorts of social dilemmas, as folk tackle life's difficulties. It's been captured here through the eyes of our leading girl who executes it very well indeed. Olivia Cooke has gone on the bigger things now, but I'd like to think that she looks back at this with a smile.

Friday, 21 January 2022

Hotel Mumbai (2018)

This is the story, based on true events, of the terrorist attack on Mumbai in 2008 in which a total of 175 people died and 300 were injured. It is a dramatised account of course and to some degree there's no way of knowing if some of the nitty-gritty details are actually true, but this should take nothing away from this film being a close-enough testament to the horror suffered by those caught up in the events.

The inexperienced Australian Director Anthony Maras takes the chair and does a fine job pulling together the strings of the story, depicting the terror and horror facing these people, keeping tension so high that this becomes a wide-eyed, edge-of-the-seat thriller in its own right, regardless of the truth. The only question remains is as to whether or not such films should be made as a testament to the people there and what they went through versus potential exploitation of their grief for a commercial, money-making film for the masses.

It certainly opened my eyes and I came away feeling like I had been educated regarding the historic event, which I do remember seeing unfold on the news from the safety the other side of the earth. I had no idea about the finer details and the culture which was present, the rich/poor issues of India's financial capital and how people behaved, pandering to wealthy westerners as they scraped together a living from long, hard shifts.

Whatever your world view of the rights and wrongs of terrorism and injustices - and what could and/or should be done about it - this can indeed be viewed as a thriller of a film. Looking at it with those eyes, it delivers. The focus is on a few key characters, building enough knowledge of their backgrounds - and attitudes to what is going on around them for the audience, works well. The viewer gets invested in the people at the hub of this. There's insight into the religious terrorists, too, how they appear to have been promised money for their families and glory in paradise on their death, though some of them start to question if this is really true, as events unfold.

We follow a waiter, employee of the hotel, from the start of his day. We see how he lives and how tight money is. He remains the central focus through much of the film and we learn much of the culture through his eyes and actions. Ordinary people become heroes. Ordinary people who are willing to sacrifice everything for their position in employment - where in this seriously posh hotel, the 'guest is god' and local people are second-rate humans. To some degree it's turned into a 'feel good' movie as these heroes emerge - or are sacrificed. The waiter is led by his boss, the head chef, who similarly demonstrates a brave and principled attitude to how he conducts himself and prioritises the guests over (almost) all else.

The lead is taken by Dev Patel who we know from The Green Knight, Lion, The Best Exotic Marigold Hotel and Slumdog Millionaire and he lands it quite brilliantly. Armie Hammer is worthy of note too as one of the guests trying to find his wife, daughter and Nanny in the chaos and Anupam Kher as the head chef. The cast all do a terrific job and are very convincing. There are some underdeveloped characters who could have been explored more, but it generally hung together well.

There are also stories unfolding for the viewer amongst the guests - and how the terrorists are treating them and what they plan to do with them. It's all pretty harrowing as we witness first-hand the religious violence, blood and grizzly death doled out left, right and centre. It's shot in a tense, exacting way which gives us an insight into all sides of the story and the people in the mix.

The film hardly ever slows down, it's frantic pace reflecting (presumably) how the events happened, full of fast-moving terror. The effects are convincing and sets look authentic. It's not an easy watch, but it's gripping to the end, quite superbly acted by almost all and shot frantically like all good thrillers. Very highly recommended.

Tuesday, 18 January 2022

Agony (2020)

Original title The Executrix and it's an Italian chiller/thriller/horror/suspense film which I was struggling to make sense of! It's a bit surreal in places and puts you in mind of something arty-farty from Roman Polanski decades ago!

It's about this woman who thought her mother had dies 30 years ago only to be told by a lawyer that she had just died now and she's inherited a huge house and loads of land in Italy. She lives with husband in the USA so we start off in English then morph into Italian and subtitles as the family arrive in Tuscany.

This is when the weird starts as it turns out her mother was possessed by, well, something, which caused her inner demons and ended up with her hanging herself. She had kept her daughter away from the home and pretended to be dead so that the daughter could have a chance of an ordinary life away from the chaos.

They're all artist of course (what else?) so flounce around the place in flowing robes and hoods being frightfully creative! Anyway, this is where we start to enter the surreal and wonder if what we're seeing is what everyone else is seeing or just her and she waves in and out of visions of her mother and nasty-looking scenes from the past (or is it present)?!

Asia Argento is actually pretty engaging in the lead role and apart from all the annoying arty-farty stuff portrays a troubled and partly possessed woman coming from a relatively normal life into the mayhem. It's not very clear why the mother kept her away from all the devilish stuff in Italy but then left it all to her in her will presumably knowing she'd then go there are get sucked in!

The rest of the cast do a decent enough supporting job and the Italian countryside and sets in and around the house and grounds are lovely and well shot (when we're not seeing it through a surreal red filter)!

It's a good enough little film which comes across very much like an Indie outing which is shot in a style that you'll either suck or or hate. The outcome and ending are very predictable so you just have to hang in their and enjoy the art or shrug after half an hour and put something else on!

Monday, 17 January 2022

Antlers (2021)

Based on the story The Quiet Boy by Nick Antosca, this horror/thriller/drama comes from actor/director Scott Cooper and produced by (amongst others) 
Guillermo del Toro. There are not many silly jump-scare moments but rather a brooding atmospheric tale keeping the viewers wondering what on earth's coming next.

Frank, played by Scott Haze (Old Henry), is running a Meth Lab in an old disused mine in rural Oregon when he's attacked by (what turns out to be) some Native American creature which devours humans and looks for a host body to dwell within whilst it does dastardly deeds! Frank is it's man this time!

Frank has two sons, and he makes them (before he gets totally devoured) lock him in the attic and keep the beast-within away from causing trouble (though I'm not sure how or why the best is constrained by a wooden-walled house)! The younger son gets sucked in eventually and the beast decides to keep him there. So we have 12-year old son now going about his business, going to school and catching animals to feed the pair in the attic with raw meat!

Enter new school teacher coming back to the town after 20 years away, re-joining her brother in the old family home, where certainly she - and maybe both of them - had been abused by their father, now dead. Jessie Plemons plays the local policeman brother and (Mickey Mouse Club girl) Keri Russell, the teacher/sister. The boy is in her class at school and she starts to get concerned about him as he's creating bizarre drawings and is socially withdrawn.

She starts to investigate, heads round to the house, gets even more concerned so reports the matter to her boss. Her boss goes to visit and, ahem, doesn't do too well. I shall leave that to your imagination. So policeman brother and teacher sister start to investigate together and this is the point at which all hell breaks loose and the creature starts to do his thing inside the body of Frank.

There's a big finale as you'd imagine where the beast is confronted, back in the mine, and you can imagine the outcome with the sister/brother team trying to sort out the mess and put an end to the whole pesky affair!

The young Jeremy T Thomas plays the 12-year old boy and does a decent job depicting the behaviour and emotions we'd expect with all this chaos going on around him! Keri Russell likewise does a decent enough job and Jessie Plemons seems to improve each time I see him, often playing the understated, ordinary bloke dealing with extraordinary situations, like in Breaking Bad and Fargo.

It's a decent enough film with enough lurking in terms of the unknown to keep the viewer interested, if not quite on the edge of their seat. It's slow in places, but having said that, the time flew while I was watching and there's plenty to chew on! There's not too much gore and horror, but what there is seems to be done pretty convincingly as it becomes a bit of a thrill-ride towards the end!

Recommended, it's doing the rounds on various streaming services now. Apparently it was shot in 2019 but only just making it out now, presumably because of pandemic-related issues. Worth a viewing.

Tuesday, 4 January 2022

Fairphone 4 Review

The Fairphone 4 is a difficult one to review in any traditional way because I think you first have to get past the price issue. What you're paying for, apart from smartphone hardware. The phone (at time of writing) costs £499 (128GB) and £569 (256GB). On paper, you can do much better for specs elsewhere. But hold on!

This is an environmentally-friendly phone. A phone which Fairphone wants you to keep for 5+ years. A phone which is made of many recyclable materials. A phone which allows the user to 'upgrade' modular components so as to future-proof it. A phone company that thinks about the planet and not just the usual 2-year turnaround of hardware, much of it ending up in landfill or on ocean beds.

The buyer has to work this one out before considering those specs and thinking that they can do better elsewhere for significantly less money. This, of course, assumes that people have the ready-cash to spend and can afford to take a longer-term view - that £500 is at most £100 per year, so £8 a month. Try to take this into account before reading on - and in turn, I'll try not to compare specs throughout with cheaper phones with more/better specs!

In February 2020 I reviewed the Fairphone 3 and concluded that it needed more user-replaceable parts and a shift in mindset to appreciate the planetary benefits and pricing at £399. In October of the same year, I revisited the phone and was able to add some of the parts which were included in the Fairphone 3+ launch (but not all). The camera module was central to this 'upgrade' but the rest was much the same - apart from the only part I couldn't replace (which would have meant more to me), the speaker.

This was a great shame as the speaker had apparently been enhanced over the original but wasn't user-replaceable as it was too tightly integrated into other non-removable parts. Fairphone PR is supposed to be in the process of sending out a 3+ unit so I can, at last, make that comparison. Watch this space! In the meantime, I shall turn back to the new phone in-hand, the Fairphone 4.

One of the aforementioned great aspects of the concept here is the modularity. In The Phones Show 432, my Phones Show Chat Co-Host Steve Litchfield grabs his screwdriver, goes time-lapse, takes it all apart and reassembles it. It's great to watch and demonstrates all the user-replaceable parts and components. The Fairphone 3 and 3+ come with that little screwdriver to make it all happen, but with the 4 you'll need to find your own #00 Phillips. More planet-saving I guess, but probably not a given that all users will have one!

Something else trendily missing from the box is a charger, though ironically, much cardboard has been wasted in the box design, making it much taller than it needed to be with double-flaps and further covered with another card sleeve. Again, not needed - and for a firm who is claiming to do their bit to save the planet, seems like a mixed message - though to be fair, cardboard is trivial to recycle. Otherwise, the box is simple and no SIM Card Tool needed as you just pull the back off like it's 2009!

The back is made with 100% recycled plastic and looks suspiciously like an iPhone clone with a triangular corner-set camera cluster. That's OK - it's neat and tidy, looks stylish enough - and certainly a design triumph over previous Fairphone models. It feels like this is probably the first unit from the firm that doesn't look like a modular outdated unit. Steve said that he thought the back to be grippy and rubberised in his review, but I disagree as I find it as slippery as any other plastic, though not glass. I'd certainly want a TPU as soon as possible so it didn't plummet to the ground. There's a big FAIRPHONE logo towards the bottom, but it's alright - indented and not garishly coloured. The edges are made with aluminium from eco-friendly firms too and feel lovely and smooth, curving slightly towards the front and back all-round.

On the right there are two volume buttons, capacitive fingerprint scanner/power button and a couple of antenna cut-outs, the top, a microphone, left, some more cut-outs and another microphone, on the bottom there's a USB-C port, another microphone and the right speaker (of the stereo pair) bottom-firing. The bezels on the front around the screen are not insignificant and the chin, deeper than the forehead. Bezels are OK with me though, especially for those using gesture navigation. The right speaker of the stereo pair is doubled up as the earpiece one in the usual way these days and sits at the top of the screen, front-firing, above the tear-drop notch housing the selfie-cam.

The modularity is just great! Takes me back to another era. Carry a spare battery (or two), swap out microSD Card for another (this, with the SIM Card slot are under the battery, incidentally, so you have to power-off to do so), look out for updated camera units or even add an OLED screen (maybe, hopefully, somewhere down the line)! It's a different world from the all-sealed units these days. They've somehow made the phone IP54 dust/splash resistant and it even has a MIL-STD-810G compliance! They're very proud that it got a 100% iFixit Teardown rating on YouTube of course!

This is Fairphone's first 5G phone and is substantial in the hand. It's 225g heavy and comparable in size (height, width) to the Sony Xperia 1 Mk.III (though fatter). The back cover is really tough to peel away (presumably due to that IP54) but there is a hole for a nail (or whatever) for people to get the 'peel' going. It feels solid, sturdy and though not quite Nokia XR20 (hammer nails in with it) it does indeed feel like it will survive to see the promised extended support and warranty.

The front panel is an LCD. I mentioned OLED earlier - and it would be nice to see this as an option. I'm no engineer, and that might not be possible, but I'd personally leap at that - even though I guess the thinking was that an LCD will last longer with this extended support window. Fairphone have used Gorilla Glass 5 on the front, which I've had mixed experience with - seems to do well with shatter-resistance but not so well for micro-scratches, and it's 6.3" diagonally. That's a good size, but as with the Nokia XR20, it feels bigger because of the bezels and housing.

The screen is 1080p with a ratio of 19.5:9 returning 409ppi and a basic 60Hz refresh rate. It seems just about bright and colourful enough on manual and auto for use outdoors and balances the level well enough. Held against the Nokia XR20, it's certainly brighter and more colourful. This is no OLED though, so users shouldn't expect that level of saturation and deep blacks synonymous with the latter. In the settings there is a toggle for 'Visual Enhancement' which allegedly makes contrast, sharpness and dark details more pronounced, but I can't really tell the difference. You can also drill down into colour temperature, gamut with presets or adjust RGB yourself. I do find these kinds of settings a little miniscule in terms of effect - again, working better and with more impact on an OLED panel.

Talking of settings, this is a very clean, stock, Vanilla implementation of Android 11 here, with no bloatware at all and the only sign that it's not a Pixel (in terms of what's been added) is their camera software/app. There's not even a Fairphone support app and only a couple of questions following the Fairphone splash-screen at startup/setup about whether or not you want feedback etc. Good job Fairphone - everyone else look!

Yes, Android 11 out of the box and the promise of updates to Android 12 (autumn 2021) and 13 (autumn 2022) and the aim of 14 (autumn 2023) and 15 (autumn 2024) - depending on their development success and Qualcomm's support with the chipset. So, the 5 years spoken about is rather dependent on other factors going forward. They have been good on promises for previous devices with updates (if some, very late) so we'll have to see. Google Security is currently December 2021, so not far behind Pixels - and, at time of writing, ahead of the Pixel 6!

In many ways the implementation of Android is even more basic than a Nokia AndroidOne device (and certainly a Motorola one). There's no always on display, no Lift to Wake nor Double Tap to Wake even. You can set the screen to wake up with incoming Notifications, but that's about it. Thankfully the Always on AMOLED app comes to the rescue, filling in the gaps - at the expense of battery of course with this LCD. Otherwise, gesture control is here with this up-to-date version of Android, (removable) Google Feed to the left of Home, forced At a Glance and Google Search on the Home screen, system-wide Dark mode and so forth. It feels very much like an AndroidOne device, so not so far removed from a dumbed-down Pixel.

That Qualcomm chipset I referred to above is the SnapDragon 750G (8nm) which is pretty widely used in other phones (including some Samsung, OnePlus, Motorola and Xiaomi mid-rangers) and brings that 5G support for those who can get it. I am finding that the phone is fast enough executing anything I want to do, but I'm no gamer. People pushing the unit in terms of gaming have been pleasantly surprised but you'll need to scour the other reviews on YouTube to get the full low-down.

In this 128GB Storage review unit there's 6GB RAM, which again, seems perfectly adequate in terms of multi-tasking and keeping apps running in the background, but if you buy the 256GB unit, you will get 8GB. It would be nice to think that users could buy and fit RAM if they wanted to, like we have been all used to doing in desktop/laptop PCs since 1842! There is microSD card support, as I said, under the battery, which is playing nicely with my 512GB example and read/write times seem to be adequate, if not as fast as the aforementioned Sony and others. A lot of factors come into play here of course - even the fastest cards' performance is impacted by the other hardware available. Anyway, great that it's there for those who need it.

A quick mention for the side-mounted capacitive Fingerprint Scanner/Power Button which until the December Update arrived forced the user to press the button in to wake the screen, then in a second action 'touch' the scanner to get past the lockscreen. But they fixed it and there's now a setting in Security settings to throw a switch for touch-unlock without the first stage. That makes it much more usable and user-friendly. It's not the fastest capacity fingerprint scanner I've used (there is a very slight delay) but it's still better than any under-glass unit!

In the same position under the battery is a NanoSIM Card slot and although the blurb claims that the phone is "Dual SIM" it should be made clear that one of them is an e-SIM facility. I think that's a bit misleading still in 2021 where people would expect the term to mean two physical slots. But no doubt times are changing! Anyway, you can get 2 x 5G for voice and data.

Sadly for some, the 3.5mm Audio-Out socket has not made it from the Fairphone 3. We speak about this often on our podcast and rue the facility going away, but when it boils down to it, we also acknowledge that Bluetooth has become so amazing these days that we're mostly using it anyway. 3.5mm is a feature that it's nice to have for that odd occasion, but OK - perhaps we should give up now! The Bluetooth output is, as I say, very, very good - 5.1 supported here with various modern codecs.

What we do have for the first time in a Fairphone is stereo built-in speakers. I have found these to be pretty good really. They're not in the same class as my Motorola Edge+ or Steve's iPhone 12 Pro Max but they're more than usable, especially when teamed up with a Music app with some control over output. I use Poweramp and tweak the output via their plethora of settings, more bass can be achieved and less treble, albeit at the expense of some volume - the usual payoff. It's decently loud enough for personal use and certainly for podcasts and spoken word. The stereo separation isn't the best but if you place the phone in front of the head within about 18" you can enjoy the effect well enough. So, no - speakers are not winning any awards, but the sound output is going to be certainly good enough for most users.

Connectivity seems to be solid enough in my tests here. The 5G I can't test but on my 4G locally I can get good enough and stable enough speeds/connection. Similarly the bluetooth seems good with quick-pairing and decent enough range, depending, as always, on the quality of the connected gear. NFC seems to do a good job too, connecting me as it should with other enabled equipment, though I have still not been able to test Google Pay. Others report no issue. WiFi also seems stable enough with a good signal connected, though note that this is not WiFi6. Google Maps and other apps relying on a GPS fix seem to be doing well also - it seems that it's hard to find a phone these days where any connectivity is poor, and as we have found with the release of the Pixel 6, it seems to be a fault when bad, rather than poor components or 'normal' functionality.

I had to take a step back at this point when I read in the specs that DisplayPort is included. I didn't think for a minute that HDMI-Out would have been licensed and included so I cabled-up to my TV to test and yes - sure enough, it does indeed! That's a real boon (for some of us who make use of this facility) and significantly rare these days - so good for Fairphone! Well done indeed. Furthermore, the sound is routed out nicely and background-play seems to work so that the phone can be used at the same time. Armed with an HDMI-Out/USB-C-Out/USB-C-In adapter (or in my case, powered Hub), charging is also possible at the same time. Amazing!

The user-replaceable battery is just shy of 4,000mAh and on testing here it looks like it's good for a day and a half of my 'normal' use. My 10% Reading Test (on multiple tests at different points on the 'depleted' scale) returned about 1 hr and 30 mins which is not too bad, but far from best - just a bit better than the Samsung Galaxy S10 (which I often complain about)! A spare battery to buy changes the equation here enormously and you can pick one up from Fairphone for about £26 at time of reviewing. If this was mine, I'd certainly do that. The charging port offers 20W input and they claim that you can get a 50% charge in 30 minutes. That claim looks to be good on initial testing here, and about an hour and a half for a full charge. Shame there's no way to charge the battery outside of the phone. Accessory needed Fairphone! There is no wireless charging, which I guess would have been a step too far for the modular design but it would have been nice to see a replacement back, with it included. A third-party Qi Receiver is cheap enough but you can't get it connected without a case as the back fits so tightly and cases are few and far between (£33 from Fairphone).

Talking of replacement parts, at time of writing, the available parts from Fairphone are that case and a 30W Charger for £21, along with a bunch of dongles, screen protectors, screwdriver etc. No sign of replacement screens yet, nor camera modules or replacement speakers - or anything else really. I guess it's early days and they will build stocks over time to match the parts which the 3-series ended up getting.

As usual, I'm going to point you to Steve's thoughts on the camera performance in the above-linked edition of The Phones Show but the unit is equipped with a 48MP f/1.6 main shooter with OIS, a secondary 48MP f/2.2 wide-angle unit, a TOF 3D depth sensor and a 25MP f/2.2 Selfie. All specs upped from the previous generation and it takes decent enough shots for the vast majority of users. It feels pretty basic, much like the aforementioned implementations of AndroidOne devices with associated limitations on, for example, optical zoom and a decent night mode. I was able to port the Google Camera app to the phone which rendered better outcomes of course, but that’s a side-load APK which I’m not recommending to people.

I'm going to have to say it, you'll get more phone elsewhere for less money! But hold on, because, as I said at the outset, that's not the point. Consider the extra money a contribution to the planet and rationalise part of that extra as the long-term support and OS updates over 5 years (up there with Apple) and you will be free to think about this phone on it's own merits. I tried to review it as if it were £399 instead of £499 - and that puts it right in there with the Nokia XR20. The two phones are significantly robust and (to some degree) similar sizes.

The great thing about the Fairphone 4 is of course, the modularity which you don't get with any other phone on the planet (in anywhere near the same way). User-replaceable parts (when they become available) and at reasonable cost (going by the price of a replacement battery) armed with a simple screwdriver (for parts other than the battery). It's clean Android (which can be boosted by adding a Launcher if you prefer) as Fairphone have not added any bloat - or even their own software (outside of the camera app). The camera is perfectly adequate for most folk and Fairphone have, for the first time, brought a style, fit and finish to a phone that feels like it belongs in 2021 and not 2009.

Bottom line is that it's no flagship, but it is more than adequate in almost every way for almost all users - and if you can afford the outlay, it might be an option - thinking about the £499 over 5 years at £8 per month. In that time, you might well have spent that on two phones. I shall be very keen to see the rollout of replacement parts in the coming months and assess how far Fairphone are going to push the envelope. You can get this in Grey, Green or Speckled Green and for the eco-aware and/or Android purist, I'd recommend it - in some surprising ways, even over a Pixel.

Triangle (2009)

This film is possibly the most difficult one I have ever attempted to review, because its plot twists are so tightly tied to its core themes...