War Machine (2026) - A Guest Review by Chad Dixon

This Netflix film is a Predator-inspired military action drama directed by Patrick Hughes. It stars Alan Ritchson (known mainly for the Reacher TV series) as a no-name US Army Staff Sergeant whom we first see during the Afghanistan conflict when his small convoy of engineers comes to help a friendly platoon and fix its broken-down vehicle. We soon see that the head of that group is his brother, played by Jai Courtney, whose name is also not spoken.

As Ritchson finishes off the repair, the two talk of their mutual wish to become US Rangers and vie to join RASP (the Ranger Assessment and Selection Programme) together as soon as the current conflict is over. As Ritchson returns to his vehicle, a direct Taliban missile strike hits both convoys and there is a big conflagration. Later, he comes to with an injured right knee and sees destroyed vehicles and burnt bodies all around. He hobbles towards his brother's inert body and finds him alive - barely.

Cut to two years later and we see the Staff Sergeant in a parade of mainly younger Ranger candidates on the first day of their eight-week programme at RASP. He is given the designation "81" by First Sergeant Torres (Esai Morales) who, with the camp's Sergeant Major Sheridan (Dennis Quaid), gives the assembled candidates a stern speech regarding what is expected of them to complete the assessment and become a United States Ranger.

Cue the usual training montage where 81 - who at 6'3" and built like a human tank towers over the majority of his co-candidates - consistently outdoes them but stays aloof during meals and downtime. At night, and occasionally during particularly gruelling trials, he still has harrowing flashbacks to when he and his brother were attacked in Afghanistan. This plays on his mental health. Also, intermittently, we see reports on the TV news of an asteroid that has entered the inner solar system and seems to be behaving quite oddly compared to previous extrasolar objects, as it appears to be getting closer to Earth.

As the remaining candidates go on their final assessment mission in the mountains of Colorado, the camp commanders put 81 in charge of the group (against their better judgement due to his previous PTSD) because he has been, head and shoulders, the top-rated individual. After an arduous hike in full gear to the high-altitude checkpoint where their timed mission begins, the battalion encounters what they think is an abandoned prototype tank lying next to a stream. Thinking it is the target objective, they set explosive charges and withdraw; however, after the "FIRE IN THE HOLE!" explosion, it is observed that there is no apparent damage to its armour plating. The "tank" starts to move, transmuting into a walking multi-weapons platform, and angular, ominous red lights appear. The soldiers are temporarily transfixed before it starts to scan them with a broad laser beam. They agree it is time to RUN!

The initial establishment of the main protagonists (of whom we don't really get to know many) seems quite long, but actually only takes up the first 25 minutes of this film's 1-hour 47-minute runtime. There are some memorable faces amongst the younger candidates, including a couple of capable female soldiers who, thankfully, do not get special treatment. Otherwise, the performances are unremarkable and typical for this trope.

As said at the beginning, this is obviously another iteration of the classic Predator (1987) story, just set in different terrain and with a much bigger and deadlier antagonistic opponent. Ritchson is decent and does command the screen with his beefy silhouette, but he is not a patch on Schwarzenegger in his prime action-hero era. Quaid and Morales are really just cameos and have minimal lines, but look decently authentic in military fatigues.

I read that the director, Patrick Hughes, tried to use real locations as much as possible to convey the raw jeopardy of the situation without much green-screen. When we head into the second act - which is why we are really here - the action really ramps up and it is hard to catch one's breath. Although there is no official BBFC certificate for this so far, I would say the blood and dramatic dismemberment of some individuals may be challenging for some viewers. However, there isn't too much of that.

The CGI War Machine itself is as good as anything I have seen rendered on screen so far and looked adequately menacing in the mountainous surroundings. The extra ending did seem to be a bit pointless - unless there is a sequel in the pipeline already. All in all, I did not really mind this unoriginal story, as it looks good, was acted satisfactorily and is just about the right length. But I know it won't be everybody's cup of tea.